I still want one. I'm opening a home for wayward French Tubas...
Poor, unwanted ones that no one loves....
J.c.
P.S. What ophicleide did you have and where did you play?
Instructor of Tuba & Euphonium, Cleveland State University
Principal Tuba, Firelands Symphony Orchestra
President, Variations in Brass http://www.jcsherman.net
I restored an umarked C to working condition that was owned by the Streitwieser Foundation, which is now in Austria, but was then in Pennsylvania. I used it for contemporary ensembles, and also played the Berlioz Symphonie Fantastique a few times with the Delaware Symphony.
Last edited by windshieldbug on Mon Oct 27, 2008 5:17 pm, edited 2 times in total.
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
Mostly strange... the kind of stuff you mean was written for a tenor tuba. While a French tuba is 6 valve is similar, it is descended from the C ophicleide, with additional valves to make it play lower. It has a very baritone-like sound up high, and a more bass-bone sound lower.
Only, it doesn't come with a handy seven position slide to make intonation adjustments. And it plays a lot more like a tenor bone straining to be a modern bass.
For the tenor tuba parts you mentioned, a proper tenor tuba or euphonium is the way to go.
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
I thoroughly enjoy my Couesnon 6-valve French tuba. Sure, it's got its quirks, but what instrument doesn't? And of course its use is limited, just as a BAT's is (heresy; I know).