so.. I got a trombone.
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- bugler
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- Doug@GT
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That is quite the truth. I've not played a pah-pah in years.NeilMacQuarrie wrote:
You fellows make life too hard for yoursleves! I much prefer to go oom and let someone else take care of the pah-pah part.
Doug "who thinks horn players are more familiar with pah-pah's"
"It is terrible to contemplate how few politicians are hanged."
~G.K. Chesterton
~G.K. Chesterton
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If the rest of the band drags, you can quite often help the situation by 'pushing' the tempo;) The band tends to follow the lower voices.
I have to say Doc's post is right on. What I tend to practice is much 'harder' then anything I tend to play in band. As well my pieces for auditions are above and beyond anything i've seen in bands. The hardest music i've played as a group would be small quintet stuff, some of that tends to be a challenge.
Jacob"who tends to find range to be a problem more then technicality in quintet pieces" morgan..
P.S. I have a trombone to, Can I join the club?
I have to say Doc's post is right on. What I tend to practice is much 'harder' then anything I tend to play in band. As well my pieces for auditions are above and beyond anything i've seen in bands. The hardest music i've played as a group would be small quintet stuff, some of that tends to be a challenge.
Jacob"who tends to find range to be a problem more then technicality in quintet pieces" morgan..
P.S. I have a trombone to, Can I join the club?

Last edited by dopey on Thu Dec 23, 2004 9:58 pm, edited 1 time in total.
- Chuck(G)
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The other problem may be the horn. My wife has a Selmer Paris Bass (Low Eb) that was owned by a very good woodwind repair guy. He was mainly a sax player and used this on big band gigs. The lower pads has resonators on 'em. That sucker can HONK pretty darn well. She does used the Selmer C* and she can play pretty good, but if she starts playing regularly again, I'll suggest the Bay mouthpiece. Also, are those synthetic reeds you linked to? Do those work from what you've heard?bloke wrote:i use selmer C star by the way.
Yeah, we stock those...because folks are autoprogrammed to request them...
...' half the price and half the sound of a Charles Bay.
Let's derail this topic a wee bit more...
Dillon/Walters CC
Meinl Weston 2165
Meinl Weston 2165
- Dan Schultz
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Durn!... I gotta go back to school.
Dan Schultz
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
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so...I got a trombone
I know what you mean, Dan. Me, too.
Ray Grim
The TubaMeisters
San Antonio, Tx.
The TubaMeisters
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tbone playing wont' hurt tuba chops.
Though I highly doubt your at a level where learning other instruments(mouthpieces) And such will improve your range on tuba. I suspect your range is just developing in general, with or without the tbone.
When i was younger I decided to learn sax, I taught myself on the side when I should had been playing tuba. My tuba playing suffered.
The problem is, when you goto all region, state, or scholarships on your main instrument (bass clarinet). You can't say, o well I can't play that piece very well, but I can play tuba tbone euph sax and trumpet...It just doesn't work that way. And by trying to learn all these instruments your main instrument is whats hurting.
I'd back down on learning all these instruments, if your gonna be a band director you'll learn em all in college, if your gonna be a performance then.. Well .. shouldn't u be practicing your main axe any spare moment you have>?
Unless you get straight perfects at region, and make the highest chair on your main axe... you have room to improve. and If you do get straight perfects and make 1st.. well you wouldn't be trying to learn several other instruments(at the same time), because you would be dedicated to one, not twenty.
Jacob"not trying to be a jerk"
Though I highly doubt your at a level where learning other instruments(mouthpieces) And such will improve your range on tuba. I suspect your range is just developing in general, with or without the tbone.
When i was younger I decided to learn sax, I taught myself on the side when I should had been playing tuba. My tuba playing suffered.
The problem is, when you goto all region, state, or scholarships on your main instrument (bass clarinet). You can't say, o well I can't play that piece very well, but I can play tuba tbone euph sax and trumpet...It just doesn't work that way. And by trying to learn all these instruments your main instrument is whats hurting.
I'd back down on learning all these instruments, if your gonna be a band director you'll learn em all in college, if your gonna be a performance then.. Well .. shouldn't u be practicing your main axe any spare moment you have>?
Unless you get straight perfects at region, and make the highest chair on your main axe... you have room to improve. and If you do get straight perfects and make 1st.. well you wouldn't be trying to learn several other instruments(at the same time), because you would be dedicated to one, not twenty.
Jacob"not trying to be a jerk"
- MartyNeilan
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so...I got a trombone
"i can be slouched back with my instrument at a 45* angle to my mouth and still be rippin' stuff out like no tomorrow."
I know I'm impressed!
I know I'm impressed!
Ray Grim
The TubaMeisters
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The TubaMeisters
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Re: so...I got a trombone
So modest he is.TubaRay wrote:"i can be slouched back with my instrument at a 45* angle to my mouth and still be rippin' stuff out like no tomorrow."
I know I'm impressed!
If you make it to college and are 'sooo good' on bass clarinet, tuba, trombone, and bass trombone. That you have to ask the college college to tell you which one you should pursue.. Well then you my friend are a prodigy.
If your even half decent on tuba you will soon find yourself bored with the music Most highschool bands play.If all us tuba players simply switched to another instrument when we got to a point we could play our band pieces great while "slacking"... Then well alot of us wouldn't be playing tuba anymore.
does your band director not have any problems with you learning how to play the entire band? I know that mine would defiantly advise against taking time away from tuba to learn another instrument, for no real reason.
Jacob
- Chuck(G)
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Sounds like you should put in some time on strings. Have you tried violin?tuba4sissies wrote:well... more so... it will be a loss for me if i do. and my parents wont let me.. i just dont put heart into practicing bass anymore. its no fun for some reason... but i can be slouched back with my instrument at a 45* angle to my mouth and still be rippin' stuff out like no tomorrow.
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so...I got a trombone
I believe the only way I'd like to go back to being 14 again would be if I could take my very old brain with me. Unfortunately, that would mean that I wouldn't be able to know everything(again).
Ray Grim
The TubaMeisters
San Antonio, Tx.
The TubaMeisters
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- Chuck(G)
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I don't think so. Violin is fiercely competitive lots-of-notes-per-square inch kind of stuff. Very difficult to make a claim of being a violin virtuoso--it seems that you're always up against someone who was playing Paganini at 7.. OTOH, one appears to get a deeper understanding of music as a result.tuba4sissies wrote: chuck - i tried viola when i was about 9-10. when i would get bored easily with things. i didnt enjoy practicing as i dont know. but if i picked up string again, it would be cello. but i am of the edge of learning electric bass guitar. so does that count?
- TheChiefofStaph
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As a warning to all interested parties, I highly recommend verifying once, twice and thrice that you go to www.bonerama.net to check this stuff out. Don't mistake it for bonerama.com and experience the same surprise I did.Doc wrote:Tuba4sissies,
...
http://www.bonerama.net/audio/TheMouse.ram
http://www.bonerama.net/audio/Frankenstein.ram
Doc