Hey all! I'm contracted to play Mendelssohn's Elijah. I don't have an ophicleide so I'm playing the part in my bass tuba. Is there a general consensus on how dynamics are adjusted for the larger tuba?
I figure it's just play tastefully within context but dunno if you all had instruction that spoke otherwise. Looking forward to answers.
Dynamic equivalence of bass tuba to ophicleide
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This forum is for buying or selling your personal equipment. Sponsored selling is allowed as well. All ads are required to have the following information: Price (even for trades), brand, model, and location (City and State, for instruments, not accessories). It is acceptable to link to an external ad if you are promoting a sale of your personal equipment. No Ebay auctions, but "Buy It Now" listings are fine. Photos are HIGHLY suggested as well, and may be hosted on Google Drive, or elsewhere. If you see an ad that does not meet these criteria, please report it.
- Billy M.
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Dynamic equivalence of bass tuba to ophicleide
Romans 3:23-24
Billy Morris
Rudolf Meinl Model 45, Musikmesse Horn
Boosey & Hawkes Imperial Eb (19" Bell)
1968 Besson New Standard Eb (15" Bell)
Billy Morris
Rudolf Meinl Model 45, Musikmesse Horn
Boosey & Hawkes Imperial Eb (19" Bell)
1968 Besson New Standard Eb (15" Bell)
- Billy M.
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Re: Dynamic equivalence of bass tuba to ophicleide
Just noticed I posted in FS Section, can any mod move this to general tubenet discussion, please?
Romans 3:23-24
Billy Morris
Rudolf Meinl Model 45, Musikmesse Horn
Boosey & Hawkes Imperial Eb (19" Bell)
1968 Besson New Standard Eb (15" Bell)
Billy Morris
Rudolf Meinl Model 45, Musikmesse Horn
Boosey & Hawkes Imperial Eb (19" Bell)
1968 Besson New Standard Eb (15" Bell)
- Billy M.
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Re: Dynamic equivalence of bass tuba to ophicleide
Thanks, Wade! Great advice. I know I can't change the timbre of my instrument to sound like another, but I wanted a feel for whether or not people had other ideas regarding between the two horns.
Anything Mendelssohn is usually more delicately orchestrated and my approach must be as such.
Cheers!
Anything Mendelssohn is usually more delicately orchestrated and my approach must be as such.
Cheers!
Romans 3:23-24
Billy Morris
Rudolf Meinl Model 45, Musikmesse Horn
Boosey & Hawkes Imperial Eb (19" Bell)
1968 Besson New Standard Eb (15" Bell)
Billy Morris
Rudolf Meinl Model 45, Musikmesse Horn
Boosey & Hawkes Imperial Eb (19" Bell)
1968 Besson New Standard Eb (15" Bell)
- windshieldbug
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Re: Dynamic equivalence of bass tuba to ophicleide
Exactly what Wade said. You're going for style, not decibels...
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
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Re: Dynamic equivalence of bass tuba to ophicleide
"Playing tastefully" is always acceptable.Billy M. wrote:Hey all! I'm contracted to play Mendelssohn's Elijah. I don't have an ophicleide so I'm playing the part in my bass tuba. Is there a general consensus on how dynamics are adjusted for the larger tuba?
I figure it's just play tastefully within context but dunno if you all had instruction that spoke otherwise. Looking forward to answers.
Ace
- Billy M.
- 4 valves
- Posts: 668
- Joined: Sat Mar 20, 2004 12:23 pm
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Re: Dynamic equivalence of bass tuba to ophicleide
Oh joy, it became more difficult when they located me on the stage with my bell pointing directly at a church drum cage (complete with plexiglass shield and felt roof and walls... guess my attempt at any dynamics just became moot 

Romans 3:23-24
Billy Morris
Rudolf Meinl Model 45, Musikmesse Horn
Boosey & Hawkes Imperial Eb (19" Bell)
1968 Besson New Standard Eb (15" Bell)
Billy Morris
Rudolf Meinl Model 45, Musikmesse Horn
Boosey & Hawkes Imperial Eb (19" Bell)
1968 Besson New Standard Eb (15" Bell)