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Trip Across The Pond Inspires New Euphonium Work

Posted: Sun Aug 13, 2006 4:02 pm
by Highams
Willson Euphonium artist Charley Brighton takes the stage in the beautiful setting of St. Mary's Parish Church, Slough on August 19th. in another marathon recital as part of his 40th. year celebrations of Euphonium playing.

Following the visit of composer Joe Miserendino from Pennsylvania to the UK back in May, Major Mark Hill of the USAF in Yorktown, Virginia commissioned Joe Miserendino to write a piece for Charley as part of his 40th. year celebrations.

'.........for Charley Brighton, who has brought solace and refreshment to our spirits throughout four decades of dedicated artistry and kindly mentorship.'

"It came as a complete surprise to me, and was a wonderful gift"

Mark and his son, Kevin (cornet), were pupils of Charley's whilst stationed at RAF Daws Hill in High Wycombe, Buckinghamshire.

The music is titled 'A London Nightscape', and is very atmospheric, certainly evoking the nightclub and late night London street scene.

There are two premieres in the recital, both by American composers. The other work being the final movement of a brand new Euphonium Concerto by Kenneth D. Friedrich from Texas, which Charley has very much 'made his own'.
Charley has already premiered the first two movements of the new Concerto and the composer has just completed a wind band score which Charley hopes to premiere in the UK soon.

The complete programme of music is;

Premiere; Agitato, mov.3 of Concerto for Euphonium, Kenneth D. Friedrich

Cavatina (from 4 Romantic Pieces), Antonin Dvorak arranged by Hatsuho M. Kuwayama (originally for Flute)

Canzonetta op.6, Alfredo d' Ambrosio (1871-1914) arranged by Larry Teal (originally for Alto Sax)
Premiere; London Nightscape, Joe Miserendino, commissioned by Major Mark B. Hill, USAF Langley, Virginia

Sunrise, Sunset (from Fiddler on the Roof), Jerry Bock arranged by Adam Gorb (originally for Flute)

Rhapsody for Euphonium, James Curnow, with organ accompaniment.

Whilst the majority of the programme will be performed on the Willson 2900 Euphonium, Charley will also use 2 vintage euphoniums from his collection in the recital, with plenty more on display.

A tiny Highams 5 valve euphonium dating from 1891 and a slightly later Boosey Solbron 3 valve euphonium.

Since starting this recital series in May of 2001, Charley has performed 22 recitals, playing 118 new solos for the instrument, by 87 different composers, from 13 different countries, with 104 on piano and 14 on organ.
There have been 6 duets and an incredible 49 premiers, on 12 different euphonium models, to a total audience of over 1000 people.

Euphonium Recital No.23, Charley Brighton (sponsored by Willson Band Instruments of Switzerland), with Malcolm Stowell, Piano & Organ.
Saturday August 19th. St. Mary's Parish Church, Church Street, Slough, Berkshire, U.K.
12 noon admission free.

Live recordings from the recitals can be heard on-line at;
www.euph9.freeserve.co.uk

Posted: Sat Aug 19, 2006 3:01 pm
by Highams
The live recording of the complete recital is now on line;

http://www.acidplanet.com/artist.asp?songs=159069&T=434

CB

Posted: Sat Aug 19, 2006 7:56 pm
by Rick F
Very nice Charley. The final movement of the Euphonium Concerto by Ken Friedrich (Agitato) is impressive. Did I hear the double high Bb in there? Sheesh!

Also, that's the first time I've heard "Rhapsody for Euphonium" (James Curnow) with organ. Very interesting.
  • Your write-up stated, "with slide extensions down to organ pitch of 'old French diapason". Can you explain that?
Thanks.

Posted: Sun Aug 20, 2006 2:26 am
by Highams
Thanks Rick.

The pitch of the organ at St. Mary's (built in 1912) is 'old French Diapason, where A= around 435, instead of 440.

Most brass have enough tuning slide (the Willson is very generous) to get down to this pitch, but it leaves them dangerously on the edge of falling out!

btw, Ken wrote high G & G#(tc) for the cadenza. Don't know what I did to upset him! (lol).

CB

Posted: Mon Aug 28, 2006 6:37 pm
by Highams
Sunrise, Sunset arrangement by Adam Gorb.

"Thanks for sending me this - it sounds gorgeous on euphonium! Please feel free to publicise it in the Euphonium world!"
Best wishes Adam Gorb

http://www.acidplanet.com/artist.asp?PID=855542&t=5376

Posted: Sun Sep 03, 2006 8:13 am
by Highams
Hi Bob,

Yes, thanks. I have 2 of those, both by Highams and both very different, my baby one of 1891;

http://www.euph9.freeserve.co.uk/newhigh8.jpg

and a later 1902 model of the Sax design;

http://www.euph9.freeserve.co.uk/5v1902a.jpg

CB.

Posted: Mon Sep 04, 2006 7:08 am
by Highams
Very kind of you Bob, thanks.

The older one plays better of the two, although it has a leaky 3rd. valve which I think was badly damaged in the past. It has been repaired very well but needs plating up at somepoint.

The 1902 has a lot of valve leakage but once you get used to blowing it, you can make up for this, again it's on the jobs list anyway.

The hardest thing is the tiny leadpipes and narrow bores, especially if you use a big m/p like me.

CB

Posted: Mon Sep 04, 2006 11:39 am
by Highams
Wick SM3M! I use those as egg-cups (lol)

CB