The Inception of an OTS!
Posted: Sat Feb 25, 2017 7:10 am
Here is a little taster of a new model to come as prototype comes together for new Wessex OTS (over the shoulder) saxhorn in Eb.
In fact it will not be just an OTS, as we are making with two leadpipes for playing over the shoulder, or upright, so can be played in two configurations. The bell will also be detachable with screw fitting like french horn for easy transportation.
I see this as much more than just an OTS for civil war re-enactment bands. It's distinctive more direct unique saxhorn tone, with playing in upright form, will make it ideal for playing in brass quintets, small ensembles, orchestras and for solos where a non-tubby, less tuba tone is desired.
The sound is already half way to an ophicleide making it better for playing such parts in orchestra than a tuba. I am going to put this to the test myself for performance of Mendelssohn Elijah later this year. However I think we might be able to make even more ophicleide sounding and get into key of F by the adding of tone hole in the bell. My observation is, a lot of the distinctive ophicleide sound is air escaping through tone holes, so saxhorn with tone hole will likely sound nearer to ophicleide? Will find out. But that is future development. First of all look out for this wonderful new OTS Saxhorn complete with string linkage.
I am excited to try out completed prototype during visit to factory in late March.
In fact it will not be just an OTS, as we are making with two leadpipes for playing over the shoulder, or upright, so can be played in two configurations. The bell will also be detachable with screw fitting like french horn for easy transportation.
I see this as much more than just an OTS for civil war re-enactment bands. It's distinctive more direct unique saxhorn tone, with playing in upright form, will make it ideal for playing in brass quintets, small ensembles, orchestras and for solos where a non-tubby, less tuba tone is desired.
The sound is already half way to an ophicleide making it better for playing such parts in orchestra than a tuba. I am going to put this to the test myself for performance of Mendelssohn Elijah later this year. However I think we might be able to make even more ophicleide sounding and get into key of F by the adding of tone hole in the bell. My observation is, a lot of the distinctive ophicleide sound is air escaping through tone holes, so saxhorn with tone hole will likely sound nearer to ophicleide? Will find out. But that is future development. First of all look out for this wonderful new OTS Saxhorn complete with string linkage.
I am excited to try out completed prototype during visit to factory in late March.