Help ... York Master, 5500, anything close
- Chuck(G)
- 6 valves

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Dave Hayami
- bugler

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- windshieldbug
- Once got the "hand" as a cue

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Bloke's right about the CC Marzan pitch, but if you use the upward facing tuning slide kinda like a trombone, and LISTEN, it's a wonderful sounding horn with the right mouthpiece. I played my CC rotary professionally for almost 20 years, and more than once I was rewarded by the tubists' dream of having the conductor stop a rehearsal and say, "Nice tuba sound".
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
- Liberty Mo
- 3 valves

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- Rick Denney
- Resident Genius
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I agree that the King is a closer match to a Getzen G-50 than is the York Master or B&M 5500.
The B&M 5500 has the Marzan-inspired top-mounted main tuning slide. It also has the York-inspired fourth-valve wrap, rather than the (preferred, at least by me) open fourth valve wrap ono the back of the body.
All the YM/Marzan/5500 tubas are larger than the G-50/Conn 56J/King 2341 tubas. I would put them at a large 4/4 bordering on 5/4, while the others are on the small end of the 4/4 range.
They play wonderfully, of course. Lee Hipp played my YM and thought it a better instrument than my Holton.
A section-mate just came across a 5500 and stole it for an astoundingly good price. It has the fixed upright bell. I think these bells are a little better than the detachable bell of the YM. It was a lucky find.
But don't underestimate the King. A good one is outstanding, and will produce a bigger sound than its size would suggest. It's more than good enough for any gig that needs or wants a Bb tuba with an American sound. The other advantage to the King is that they are generally available--enough so that you can try several to find a really good one. Finding a YM or 5500 is a little more challenging and usually requires that you take what you get.
Rick "who would like to see more and better large 4/4 or 5/4 front piston BBb tubas on the market" Denney
The B&M 5500 has the Marzan-inspired top-mounted main tuning slide. It also has the York-inspired fourth-valve wrap, rather than the (preferred, at least by me) open fourth valve wrap ono the back of the body.
All the YM/Marzan/5500 tubas are larger than the G-50/Conn 56J/King 2341 tubas. I would put them at a large 4/4 bordering on 5/4, while the others are on the small end of the 4/4 range.
They play wonderfully, of course. Lee Hipp played my YM and thought it a better instrument than my Holton.
A section-mate just came across a 5500 and stole it for an astoundingly good price. It has the fixed upright bell. I think these bells are a little better than the detachable bell of the YM. It was a lucky find.
But don't underestimate the King. A good one is outstanding, and will produce a bigger sound than its size would suggest. It's more than good enough for any gig that needs or wants a Bb tuba with an American sound. The other advantage to the King is that they are generally available--enough so that you can try several to find a really good one. Finding a YM or 5500 is a little more challenging and usually requires that you take what you get.
Rick "who would like to see more and better large 4/4 or 5/4 front piston BBb tubas on the market" Denney
- Bandmaster
- 4 valves

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I agree! I tried the King at the NAMM Show a couple of months ago and it play wonderfully! Try to find one or two and take a test drive, you should be pleased.Rick Denney wrote:But don't underestimate the King. A good one is outstanding, and will produce a bigger sound than its size would suggest. It's more than good enough for any gig that needs or wants a Bb tuba with an American sound. The other advantage to the King is that they are generally available--enough so that you can try several to find a really good one. Finding a YM or 5500 is a little more challenging and usually requires that you take what you get.
Like others said earlier in this thread, Robb Stewart in Arcadia, CA has a BBb York Master for sale. It looks to be in decent condition and he took the flare off of the front facing bell and replaced the bent stack with a section of a Miraphone 186 bell to make it an upright 22" bell.
The was a very nice looking 4V BBb B&M tuba (with a one piece upright bell) for sale on eBay a couple of months ago that went way too cheap. So cheap I almost bid on it even though I don't need it.
Dave Schaafsma

1966 Holton 345 | 1955 York-Master | 1939 York 716 | 1940 York 702 | 1968 Besson 226 | 1962 Miraphone 186 | 1967 Olds | 1923 Keefer EEb | 1895 Conn Eb | 1927 Conn 38K | 1919 Martin Helicon

1966 Holton 345 | 1955 York-Master | 1939 York 716 | 1940 York 702 | 1968 Besson 226 | 1962 Miraphone 186 | 1967 Olds | 1923 Keefer EEb | 1895 Conn Eb | 1927 Conn 38K | 1919 Martin Helicon
- sloan
- On Ice

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Add a third testimonial for the new, new King 2341. I'm not sure, but I think that playing mine (note: NOT listening to me play it) helped convince Rick that the top examples are very good.Bandmaster wrote:I agree! I tried the King at the NAMM Show a couple of months ago and it play wonderfully! Try to find one or two and take a test drive, you should be pleased.Rick Denney wrote:But don't underestimate the King. A good one is outstanding, and will produce a bigger sound than its size would suggest. It's more than good enough for any gig that needs or wants a Bb tuba with an American sound. The other advantage to the King is that they are generally available--enough so that you can try several to find a really good one. Finding a YM or 5500 is a little more challenging and usually requires that you take what you get.
But do heed the advice to try several. I'll add that it's wise to have a repair tech handy (where you buy it, or local to you) who knows a few tricks about how to get the max out of one. I suspect that most of these tricks involve work that SHOULD HAVE BEEN DONE AT THE FACTORY...but wasn't. I think this implies that even a "dog" 2341 can be re-habilitated by one visit to a good shop.
And...don't expect a piece of jewelry. Smooth out the INSIDE to make it play great - don't worry about the odd finishing flaws on the OUTSIDE.
Kenneth Sloan