If YOU selected the audition materials - band

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Tom Holtz
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Re: If YOU selected the audition materials - band

Post by Tom Holtz »

harold wrote:Same as above. You are responsible for choosing the audition materials for a tuba band audition. What would you choose?
Holst, "Suite #1 in Eb", mvt. 1, m. 1-8

Sousa, "Stars and Stripes Forever", m. 1-20, dogfight

V. W., "Toccata Marziale", m. 1-15

Grainger, "Marching Song Of Democracy", m. 175-202

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Re: If YOU selected the audition materials - band

Post by tofu »

Tom Holtz wrote:
harold wrote:Same as above. You are responsible for choosing the audition materials for a tuba band audition. What would you choose?
Holst, "Suite #1 in Eb", mvt. 1, m. 1-8

Sousa, "Stars and Stripes Forever", m. 1-20, dogfight

V. W., "Toccata Marziale", m. 1-15

Grainger, "Marching Song Of Democracy", m. 175-202

All you need.
I like it - quick & to the point. But instead of S & S I think I might substitute a fast circus march instead since most players don't see them regularly and they can be a challenge to play cleanly and well.

What would you use for sight reading?
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Post by Biggs »

VW's Toccata Marziale has appeared on a couple band auditions I've had; good choice.

I would also include:

Summer Dances, Balmages
Theme from Greenbushes, Grainger
Lord of the Rings, De Meij (Symphony #1, symphonic band version)
Der Traum de Oenghus, Rudin
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Post by drow2buh »

Toccata Marziale is always chosen! Anyone who doesn't know it should be shot. Same goes for Stars and Stripes - same old! Mvt 3 of the Hindemith? Better be a collegiate/professional audition or you're going to be disappointed!

I dunno what I'd choose!

...Bach Cello Suite?

hahahahaha
Last edited by drow2buh on Sun Aug 27, 2006 1:18 pm, edited 1 time in total.
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Tom Holtz
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Re: If YOU selected the audition materials - band

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tofu wrote:What would you use for sight reading?
I'd use whatever came off of our arrangers' printer most recently. Today, that would be Don Patterson's transcription of "Scapino: A Comedy Overture" by William Walton. Nobody but Crawford, Tiedeman, and myself have seen it.

Oh yes, there would be blood.
      
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Re: If YOU selected the audition materials - band

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Tom Holtz wrote:
tofu wrote:What would you use for sight reading?
I'd use whatever came off of our arrangers' printer most recently. Today, that would be Don Patterson's transcription of "Scapino: A Comedy Overture" by William Walton. Nobody but Crawford, Tiedeman, and myself have seen it.
Oh yes, there would be blood.
Yet another reason I am envious of you guys....
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Post by JCradler »

Speaking of blood,

"Fackeltanz" by Meyerbeer
"Mazeppa" by Liszt

Oldies...but goooooodies......
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Post by tofu »

harold wrote:How about "Thunder & Blazes" for the march? The dogfight is a bitch!

Actually that is the very one I had handed to me for a band audition 35 years ago as a HS freshman. :lol:
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Post by tubeast »

I´ll second "Traum des Oenghus" by Rudin.
I´d think the air logistics required in that piece will pretty much sort them out.
"Chakra" by Maurice Hamers comes to my mind, too.
Air consuming, tricky rhythms, soft playing as well as unleashing the monster, and technical stuff.
What level band are we talking about, anyways ?
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Post by Tom Holtz »

CGT wrote:Fackeltanz.....That's the one we were talking about Tommy. Long hours spent on that one :-)
LMAO - We are cruel and heartless S.O.B.'s, arent we? At least we bought decent beer.
      
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Post by ZNC Dandy »

Circus marches are a great idea. Hard as hell, and great test of mellifluousness with the section.

Circus Bee-Fillmore
Melody Shop-King
Robinsons Grand Entree-King
The Skyliner...bitchin' tuba part-Harry Alford
Coronation March from "Le Prohete"-Meyerbeer

There are tons more, those are just some of the most exposed and interesting parts i've played personally.

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