W.T.B. Jazz Tuba Mouthpiece
- tubaguy9
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W.T.B. Jazz Tuba Mouthpiece
What would be a good jazz tuba mouthpiece? Right now, I use a G&W Taku for everything, but for jazz, I'm wanting a bit more of a brassier, grittier, more 'in-your-face' type of sound. Does anyone know of a good mouthpiece for that?
- Tom Holtz
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Bill Troiano
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For me, with the jazz and light stuff, it's more about the look than the sound. So, I have a NY Yankee, blue Kellyberg that I use on my 621CC for that kind of playing. It's gotten a lot of attention and it actually got me two cocktail hour dixie trio gigs. In both cases, the bride to be stopped because she saw the mouthpiece. Then, they listened. Then, they hired! GO YANKEES!!!
- iiipopes
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Kelly also makes an 18, as well as a 24AW and a 25 (I guess the KT50 just never really got off the ground), and in some ways, especially outdoors, I like the Kelly 18 better than the Bach 18. And you're right: there's about two dozen colors to choose from. I have a blue one, and I'm considering getting a maroon one to match the colors of the university community band I play in for their outdoor gigs as well.
Jupiter JTU1110
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- Steve Inman
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tbn.al
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I have to remember that one. That will really get my NYNY buddies going. I'm still laughing. I can't wait to spring it on somebody from the frozen tundra.Brucom wrote:Q: What's a Yankee?
A: It's like a quickie, but you can do it yourself.
I am fortunate to have a great job that feeds my family well, but music feeds my soul.
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tubatooter1940
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I ordered a gold Kelly 24AW so it would look like I had money but the gold color doesn't cut it. The mouthpiece did give me what I needed for my Eb King-nice fat lows and a consistent Eb above the staff. It also helped with the zits that form on the second day after a long gig.
Brucom's quickie reminds me of a New York hotel doorman who stopped a hooker and asked her how much she charged for a hand job.
She replied, "$20, do you want one?" He said, "No, I just wondered how much money I'd be saving if I did it myself."
Brucom's quickie reminds me of a New York hotel doorman who stopped a hooker and asked her how much she charged for a hand job.
She replied, "$20, do you want one?" He said, "No, I just wondered how much money I'd be saving if I did it myself."
We pronounce it Guf Coast
- Bandmaster
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How about a Loud LM-10, the Tommy Johnson model? I got one after I tried one that a friend had. I really like how it brightens up my sound, but in a nice kind of way. It also seems to respond really nice as well, making articulation a little cleaner and easier. Something like this sounds like what you want for jazz playing. It is worth a try at least...
Dave Schaafsma

1966 Holton 345 | 1955 York-Master | 1939 York 716 | 1940 York 702 | 1968 Besson 226 | 1962 Miraphone 186 | 1967 Olds | 1923 Keefer EEb | 1895 Conn Eb | 1927 Conn 38K | 1919 Martin Helicon

1966 Holton 345 | 1955 York-Master | 1939 York 716 | 1940 York 702 | 1968 Besson 226 | 1962 Miraphone 186 | 1967 Olds | 1923 Keefer EEb | 1895 Conn Eb | 1927 Conn 38K | 1919 Martin Helicon
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lgb&dtuba
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I have a blue and a clear Kellyberg I use for outdoor gigs when it's cool or cold.iiipopes wrote:And you're right: there's about two dozen colors to choose from. I have a blue one, and I'm considering getting a maroon one to match the colors of the university community band I play in for their outdoor gigs as well.
Last weekend I was using the clear one on a gig and I guess the light was just right for me to catch a clear reflection of it on the side of the tuba. Clear enough I could see what my embouchure was doing inside the mouthpiece. Freaking distracting! Screwed up my concentration big time.
I have an outdoor gig this coming weekend and it's supposed to be cooler. I'll be using the blue one this time to maintain concentration.
Jim "somethings are meant to be heard - not seen" Wagner
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tubatooter1940
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- iiipopes
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