Auditions
-
XtremeEuph
- 4 valves

- Posts: 598
- Joined: Thu Feb 23, 2006 5:02 pm
Auditions
If you want to move this, go ahead but I have a question about auditioning seeing the time has come around. Where is the balance in an audition. For example, a scale of mine is set at eight notes, quarter=120 bpm or faster , slurred which is quite slow. I can take it about around 140-150 really comfortably and play it just fine, but I can also play it not bad at 200+. At this rate, you pretty much have to slow the tape down to hear each individual note. Is this too much of a mess or will the speed matter that much to them?????? I know your not psychics but you could give it a try . (BTW that was just my example)
- WoodSheddin
- 5 valves

- Posts: 1498
- Joined: Thu Mar 18, 2004 9:44 pm
- Location: On the bike
- Contact:
Do whatever is called for on the list. Play with the most beautiful sound you have and always think music.
Faster is not always better. I would prefer to hear the scale at 120 then 200 because pitch, sound, articulation, release, eveness of sound, etc are easier to hear as a judge. The 200+ scales are neat tricks but convey little more than the ability to double tongue and wiggle valves.
Faster is not always better. I would prefer to hear the scale at 120 then 200 because pitch, sound, articulation, release, eveness of sound, etc are easier to hear as a judge. The 200+ scales are neat tricks but convey little more than the ability to double tongue and wiggle valves.
sean chisham
- windshieldbug
- Once got the "hand" as a cue

- Posts: 11516
- Joined: Tue Mar 01, 2005 4:41 pm
- Location: 8vb