I don't know it; can you hum a few bars?KingbaritoneGod wrote:Does anyone have any tips on playing louder?
loud playing
- windshieldbug
- Once got the "hand" as a cue

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Re: loud playing
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
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MikeMason
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one tip that was omitted was to also play really out of tune.This may go a bit against the current trend but hear me out.Picture yourself at a middle school band concert.you come to a part with an oboe solo.Now you know you're really gonna HEAR that bad boy! 2 reasons-really out of tune,so it stands out from the crowd,and really bad tone quality,which also helps it stand out.which brings me to my final tip.Get yourself a really bad tone quality.It'll really help you stand out from the crowd and get noticed.Best of luck in your future endeavors.(i learned this line from an audition committee one time,really nice,caring people).
Pensacola Symphony
Troy University-adjunct tuba instructor
Yamaha yfb621 with 16’’ bell,with blokepiece symphony
Eastman 6/4 with blokepiece symphony/profundo
Troy University-adjunct tuba instructor
Yamaha yfb621 with 16’’ bell,with blokepiece symphony
Eastman 6/4 with blokepiece symphony/profundo
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TubaRay
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loud playing
This thread surely looks promising, and fun. 
Ray Grim
The TubaMeisters
San Antonio, Tx.
The TubaMeisters
San Antonio, Tx.
- GC
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Tone gets in the way of playing really loud. If you want loud, you aim for the ultimate BLATTTT! If you can still tell that it's a brass instrument and not an elephant with digestive difficulties, you're not loud enough. I can tell you this from experience.
Also, if any part of the shank is more than 0.1 mm thick, your bore isn't big enough for REAL loud playing. Ream that sucker out!!!
Also, if any part of the shank is more than 0.1 mm thick, your bore isn't big enough for REAL loud playing. Ream that sucker out!!!
JP/Sterling 377 compensating Eb; Warburton "The Grail" T.G.4, RM-9 7.8, Yamaha 66D4; for sale > 1914 Conn Monster Eb (my avatar), ca. 1905 Fillmore Bros 1/4-size Eb, Bach 42B trombone
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quinterbourne
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- windshieldbug
- Once got the "hand" as a cue

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Charlie Goodman
- 3 valves

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Yeah, I would probably just punch the trombone player in his face. The face is the most effective area as this is where he undoubtedly keeps his lips. With his lips punched, his volume will soon follow.
Also, try to see if you can post on Tubenet more. It's the best way to improve your playing. Ask about your equipment, and probably range. You will be able to recieve the advice that what may work for someone else may not work for you, and you may use this knowledge to improve your own sound. And volume. And sex appeal.
Also, try to see if you can post on Tubenet more. It's the best way to improve your playing. Ask about your equipment, and probably range. You will be able to recieve the advice that what may work for someone else may not work for you, and you may use this knowledge to improve your own sound. And volume. And sex appeal.
- windshieldbug
- Once got the "hand" as a cue

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Spoken by one who's a viola magnet...the elephant wrote:Yep, this place produces some genuine chick magnets. Except for Lisa and Mary Ann, who are genuine dude magnets. (Sorry for the sexist generalization. Hope that I corrected it adequately, ladies.)
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
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Mark
Re: LOUDER!!!
If your face isn't turning red and you can't see every vein in your neck, then your are still not playing loud enough.loudman52 wrote:5. Last but not least, MUSCLE EVERYTHING.
- Rick F
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Two low brass players are in the bar... one is a trombonist, the other plays euphonium. Since neither one has his instrument, how do you tell which one normally plays trombone?
The one who orders a "Blatz" beer.
The one who orders a "Blatz" beer.
Miraphone 5050 - Warburton BJ/RF mpc
YEP-641S (recently sold), DE mpc (102 rim; I-cup; I-9 shank)
Symphonic Band of the Palm Beaches:
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
YEP-641S (recently sold), DE mpc (102 rim; I-cup; I-9 shank)
Symphonic Band of the Palm Beaches:
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
- windshieldbug
- Once got the "hand" as a cue

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- Rick Denney
- Resident Genius
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If you want to play louder, learn first how to be play with better tone. Better tone requires lots of relaxed air. The trick to playing loud is to feed air into the resonance of the tuba. If you push the air, you'll blow the resonance away. The guys who play really loud achieve so much resonance by producing such a high-quality buzz that they can feed more air into it. Most of us produce a buzz that doesn't resonate as well as it should, the that limits how much air we can let flow into the tuba. Going beyond that limit doesn't make the sound louder, it makes it wider.KingbaritoneGod wrote:HA HA hA! you guys are real funny. I appreciate the advice but some of you can't be serious. I'm just trying to get better. Tom Holtz why did you post a picture of the gay guy? Are you trying to say I'm gay? Cuz I'm obviously not... I'm not in to violence and punching a trombone friend in the lips, I just want to bury him with my sound and prove to the crowd that baritones can be as loud as trombones.
Rick "who always pushes too hard" Denney
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MikeMason
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when you bare your soul to the tubenet,there are risks.there is also a ton of wisdom and knowledge buried in the muck.search deep...sometimes its hard to tell the difference between extreme sarcasm and a sincere question.Sometimes we get it wrong...I'm still not sure if i might get punked at any moment.Keeps you on your toes 
Pensacola Symphony
Troy University-adjunct tuba instructor
Yamaha yfb621 with 16’’ bell,with blokepiece symphony
Eastman 6/4 with blokepiece symphony/profundo
Troy University-adjunct tuba instructor
Yamaha yfb621 with 16’’ bell,with blokepiece symphony
Eastman 6/4 with blokepiece symphony/profundo
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tubatooter1940
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Ladies and gentlemen, I am a blatweasel. I have been a blatweasel since my first football game when a cheerleader told me chicks dig it.
I lost all my teeth pressure playing and now that I'm old, my lips are beating themselves to pieces.
I still don't care. I love to hear my tuba crack with the power of a big ole blatt. I still believe the chicks dig it and that they would be leaping onto my bones if I weren't so old and ugly.
I'm sure there is a twelve step program somewhere for blatweasels but you'll never see me there. I just hope the last tuba note I ever play is the loudest and raunchiest one ever.
I lost all my teeth pressure playing and now that I'm old, my lips are beating themselves to pieces.
I still don't care. I love to hear my tuba crack with the power of a big ole blatt. I still believe the chicks dig it and that they would be leaping onto my bones if I weren't so old and ugly.
I'm sure there is a twelve step program somewhere for blatweasels but you'll never see me there. I just hope the last tuba note I ever play is the loudest and raunchiest one ever.
We pronounce it Guf Coast
- Chuck(G)
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David
- bugler

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Re: LOUDER!!!
I disagree. if we're talking "more volume of air", the aperture needs to be bigger to facilitate its flow in order to produce good sound. This is easy enough to demonstrate. Try playing low with a large volume of air, and a small aperture... it will sound strangled and anything but full.loudman52 wrote:
3. Make sure that the more air you blow the tighter your embouchure is. You want the most focused sound possible, so pinch and BLOW!
The secret to playing high is not "pinch and blow." Its less air volume, more pressure with the air stream pointed downwards at the right angle (high=more extreme the angle) using your lips.
But likes its been said a few times here, the secret to playing loud is just plain old "more air."
What one man can do another can do
- pwhitaker
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Softly and tenderly
Come to Maine. I play in a Traditional Jazz band with a cornet player who regularly plays pppp. I stay in the octave going down to the pedals (Mirafone 186-4U BBb + recording bell) and we are as quiet as churchmice. It's almost eerie.Chuck(G) wrote:I've had a dream about brass instruments that could be played as softly as strings; i.e. a tuba that was no louder than a string contrabass, trumpets no louder than violins, trombones no louder than 'cellos and horns no louder than violas.
Ah, well, not in my lifetime, I suspect.
To play really softly on a tuba you need a humungous (sp?)mouthpiece (1.4"+ inner rim with a very deep bowl-shaped cup and extra large backbore). I learned how to do this when my twins were mere infants and I would tuba-lullaby them to sleep.
MISERICORDE, n.
A dagger which in mediaeval warfare was used by the foot soldier to remind an unhorsed knight that he was mortal.
- Devil's Dictionary - Ambrose Bierce
A dagger which in mediaeval warfare was used by the foot soldier to remind an unhorsed knight that he was mortal.
- Devil's Dictionary - Ambrose Bierce
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dopey
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