Brassdad wrote:imperialbari wrote:My main motto with my daughters and with my students was: Please do no not invite disasters. They will happen anyway.
Klaus Smedegaard Bjerre
I'm stealing that motto!
As a jarhead and a Logistics Officer it is priceless!
Only one favourable thing can be said about aging: It is better than the alternative.
I have decided to hang on in international debates despite my bad eyesight, my dyslexia, and my aphasia. As long as my eyes were up to par, I could control the dyslexia, which I handled by converting spelling to a math problem, where I am reasonably strong. But the aphasia is hard to control, as it is worst about omitting the words concerning negatives: no and not. This happens also with their Danish equivalents.
This time I doubled the negatives. The quote above here is correct, but I went furious, when I detected my own error, and then I corrected the original posting. In the longer run I have a relaxed relation with my acquired shortcomings, but I sense the bad eyes as a threatening.
Are you a naval officer? I have worked with two naval logistic officers in matters of music and cultural management. Monday a retired operative commander will come here with his wife. She organised our latest gymnasium-reunion and works at the museum of my boyhood hometown. They will fetch the locally related artwork given to me by my father. He accepts, that I donate it while I am still in some control of the situation.
This thread is about Tuba Christmas in an Anglophile country. In a more modest, but very applicable, fashion I have made a versatile edition of Danish hymns and carols. 10 or 11 are relating to Advent, Christmas, and Epiphany. It can be played by brass 4- or 5-tet, 4 euphs or by a normal tuba quartet. The modular scoring allows for formations up to full orchestra or full band. My idea about modular scoring is part of my pro teaching experiences, but the actual editions are inspired by my learning about the entity of the American church orchestra, which calls for a lot of flexibility in instrumentation options.
The music may be had for free via the upper link in my signature. Please read the informational texts.
Klaus Smedegaard Bjerre