NSO Tubist plays F Tuba???
- Wyvern
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Who are you?
Do you have a comment on his performance, or just the fact that he was playing an F tuba?
Did it come across your mind that he chose it for a reason other than range? Perhaps he/trombones/musical director preferred the difference in sound you get with an F.
My personal choice would be CC, but I'm sure many others have good arguments to choose F. I think you should rethink your position.
Do you have a comment on his performance, or just the fact that he was playing an F tuba?
Did it come across your mind that he chose it for a reason other than range? Perhaps he/trombones/musical director preferred the difference in sound you get with an F.
My personal choice would be CC, but I'm sure many others have good arguments to choose F. I think you should rethink your position.
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I think that could be debated. However, a better statement would be worded "F tuba could be the "correct" tuba for the work to produce the appropriate tone wanted by the player/trombones/musical director."Neptune wrote:F tuba is no doubt the "correct" tuba for the work to produce the appropriate tone.
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You seem to be under some misapprehension. If you are in an orchestra, or band you are part of a team to work together to produce music.RoyceLandon wrote:When I play it, I tried to bury the strings.
It is not a competitive sport - no prizes for burying the strings!
I like to hear the tuba as well, but in context with the rest of the music.
- windshieldbug
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Note what Neptune said:
You may be surprised, but some of us are there to make music (despite what the Music Director claims...
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You bury them, they just tune sharper.Neptune wrote:It is not a competitive sportRoyceLandon wrote:When I play it, I tried to bury the strings.

You may be surprised, but some of us are there to make music (despite what the Music Director claims...

Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
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Just to clarify regarding the matter of using a CC for Brahms 2. I have played it on CC and agree it does sound good. However, no doubt Brahms had an F tuba in mind when he wrote the symphony, so no player should be condemned for using an F tuba.
Now if an F was used for Prokofiev 5, then that would be unforgivable!
Now if an F was used for Prokofiev 5, then that would be unforgivable!

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Personally, I think if a man loves his tuba, sleeps with it, and dresses it in a negligee, it should be his business when and where he plays it.
just my opinion ... for what it's worth.
just my opinion ... for what it's worth.
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RoyceLandon wrote:I don't see what the problem is. When I'm nailing the excerpts to the back of the hall (parking lot, really), I'm giving the audience what they paid for. Brahms wrote for the tuba in this symphony, so I'm gonna play it as loud as he meant for it to be...and I don't think the dinky sound of an F Tuba can get the job done. In fact, I can't think of any time that an F Tuba would get the job done.
Landon, OUT!
"I should have written it for you, Royce." - John Williams
true, YOU may have a hard time getting the sound you're looking for with an F, and I may have a hard time getting the sound I want on an instrument in any key. How was the sound in the performance in question. Thats the only thing that matters.
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