If you've been a TubeNet member for three years, then you will understand when I say that my reaction to this is:
RAW BRASS ROTARY CC!


Hence my comment about violin players (even though the Vienna debate centered, as I recall, on a trombone player). There are sections where women are well represented in the middle ranks but are much more rarely found in the principal chair. And there are orchestras that clearly discriminate on the basis of sex. There are reasons to discuss these things in the context of some of those groups, especially those in the Olde Worlde with more of a "sense of tradition" governing their attitudes.ZNC Dandy wrote:This reminds me of the seemingly constant Vienna Philharmonic debate.
If anything, your explanation bothers me more than the original post, because it demonstrates how willing you are to use smooth words to cover up deep resentment. If you have an opinion, state it. Provide supporting evidence. After all, maybe we are too biased to see what is apparently clear to you. Being mealy mouthed will accomplish nothing.muf wrote:I am sorry that my question has raised so many concerns.
Maybe she's a typical extremist. It all depends on where you draw the "feminist" boundary.MoonUnit wrote:There are extremes in almost every belief system. She is an extreme. Most are not, therefore, she is not "typical". Nice generalization.


I don't think there is anything typical about being extreme. The definition of extreme is "of a character or kind farthest removed from the ordinary or average".Rick Denney wrote:Maybe she's a typical extremist. It all depends on where you draw the "feminist" boundary.MoonUnit wrote:There are extremes in almost every belief system. She is an extreme. Most are not, therefore, she is not "typical". Nice generalization.
(I find the views expressed--of women not getting fair reviews or consideration on the basis of their sex--to be typical among the women I know well, though most would not at all describe themselves as extremists, or even feminists. But they are not expressing their opinion about Tubenet.)
Rick "thinking some extremists dream of being typical" Denney


My wife often accusses me of not knowing how to really apologize - she tells me that my apologies often sound like "I'm sorry you are such a jerk, and I still think I'm right."muf wrote:A clarification and an apology.
. . .
I was more thinking about other good performers and teachers such as Gail Robertson, Deanna Swoboda, Stacey Baker, Melissa Williams or Kathy Brantigan to mention a few, who are rarely if at all mentioned. I was interested in understanding why there seems to be a general "discomfort" to talk about female teachers, or at least that is what transpires from many postings on this topic, while in reality - to the best of my knowledge - these women have good and male-crowded studios.

Exactly how do you make a leap from you haven't seen such postings to there's amuf wrote:I was interested in understanding why there seems to be a general "discomfort" to talk about female teachers, or at least that is what transpires from many postings on this topic,
here?general discomfort
If so, where do they teach?Gail Robertson, Deanna Swoboda, Stacey Baker, Melissa Williams or Kathy Brantigan

Main Entry: sex·ismmuf wrote:A clarification and an apology.
My original question had really nothing to do with a "sexist agenda." ...

I hope you are not referring to me? I'm in the same camp as you are. People need to stand on their own two feet and stop looking for someone to blame when life is seemingly unfair towards them. I should have done a better job clarifying my position. I should have said, "this is as ridiculous as the seeminly constant Vienna Philharmonic debate, people just need to drop it. Incidentally, I think that orchestra you were referring to was the Munich Philharmonic and the trombonist in question was Abbie Conant.Rick Denney wrote:Hence my comment about violin players (even though the Vienna debate centered, as I recall, on a trombone player). There are sections where women are well represented in the middle ranks but are much more rarely found in the principal chair. And there are orchestras that clearly discriminate on the basis of sex. There are reasons to discuss these things in the context of some of those groups, especially those in the Olde Worlde with more of a "sense of tradition" governing their attitudes.ZNC Dandy wrote:This reminds me of the seemingly constant Vienna Philharmonic debate.
That discussion you mentioned revealed all sides of the debate, with the consensus strongly biased towards the abilities of the performer and not the sex. It refutes rather than demonstrates what has been accused here.
Rick "tired of people with chips on their shoulders" Denney