Rotary BBb for playing in brass band

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jeopardymaster
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Rotary BBb in Brass Band

Post by jeopardymaster »

I had good success some years ago with a Mirafone 186, but the best of all was an old Cerveny kaisertuba, a real cannon. If you can swing a trip over to Deutchland, or can connect with someone via tubenet, there ought to be a way.

I'm with Dan - and you - on the top-action thing. My Conn 25J was great in brass band, but the ergonomics were not so good for my back and, um, package. Kind of got smushed a few times. It would have been better using a stand.

Worst of all, though, is when the section is all mixed up and you clobber each other with your bells.

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BBb rotary

Post by MaryAnn »

I know someone who plays a VMI BBb rotary very successfully in a British style brass band. He gets a really nice sound out of it.

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Post by Wyvern »

Anyone tried a Cerveny CBB-601/701?
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Post by wrongtrousers »

The band I play with in Utah is constantly in need of tuba players. Consequently, we have a somewhat revolving section, the constants being a YEB 321 and a Neptune CC. When the situation arises that I have to switch to Eb (which I do not own) I use a MW45P and play the top Eb parts. When we are lucky enough to have two Eb players it is usually the above mentioned Yamaha and either a Besson 982 or 983 (whoever is available). Our second BBb is usually an MW25. I have sat with Miraphone 186 BBb's, Bessons (3+1's), Yamaha's (Piston and Rotary), and others. We have of course been forced to use other combinations on occaision but my point is (and yes I'm getting to it) is that a great noise can be made with a variety of combinations of horns. The Neptune may be too broad of a sound for your situation but for mine (with an expat brit conductor) it is highly desirable. Obviously you're going to pick the horn that satisifes you and does the job. I think you have to keep in mind that unless you have an extremely stable roster in your bass section you are going to have to adapt to a variety of situations. Is there a horn that does it all? Probably not, but there are a lot of good instruments that will help you achieve the results you desire. Am I going to suggest one? I think there have been many great suggestions made so far. Keep an open mind and try as many as you can.
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Post by peter birch »

you know, most brass band players think in terms of boosey and hawkes and besson, with the sovereign being the oly instrument to play.
taking in something different will provoke mild interest and the ocaisional laugh until you start playing.
you probably know that the music is written in trebble clef already transposed, and may be a bit tricky if you usually play in bass clef.
good luck and stick with it, there is some good music to play
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Post by peter birch »

Bob1062 wrote:
peter birch wrote:you know, most brass band players think in terms of boosey and hawkes and besson, with the sovereign being the oly instrument to play.
taking in something different will provoke mild interest and the ocaisional laugh until you start playing.
you probably know that the music is written in trebble clef already transposed, and may be a bit tricky if you usually play in bass clef.
good luck and stick with it, there is some good music to play

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Do note the country. :D
me too
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Post by Wyvern »

peter birch wrote:you know, most brass band players think in terms of boosey and hawkes and besson, with the sovereign being the oly instrument to play.
taking in something different will provoke mild interest and the ocaisional laugh until you start playing.
I have played intermittently as dep with the band (just a local village band) for years, so I think they have got used to me having an 'unusual' taste in tubas. They will be so pleased having me playing BBb bass, that I am sure any tuba I choose to use will be accepted.

The band has four Eb players, but has had no BBb for some years (quite common in non-championship bands in my experience), although there are two lottery bought virtually un-played Besson Sovereign BBb in the store cupboard - no-one is prepared to play them. :shock: I tried one once and had such back and neck ache afterwards that swore never again! :evil:
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Post by Wyvern »

Bob1062 wrote:Jonathan, so what do they do? Double on the Eb parts or have 2 of the Eb players play Bb parts?
They mainly double on the Eb part with one sometimes dropping the octave - occasionally pencil in the BBb part where different and important. If I am playing BBb, I will insist they stop playing those BBb cues :wink: :)
Bob1062 wrote:Have you tried your PT-20?

My transposing to CC skills are not good enough :(
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Post by ASTuba »

I am going to have to chime in here and say, that IMO, the best rotary BBb tubas I've ever played are the MW Fafner and the Miraphone 191. I never got to play both back to back, so I cannot give you that answer, but I still remember how good the Fafner was. I don't remember just exactly how well the Miraphone was, but I always was positively surprised when I played one while repairing them.
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Post by tofu »

I can appreciate your back & neck pain concerns about playing one of the Bessons the band has. I have one of those BBb Bessons and have to tell you the one I have has a great sound and is a very nimble instrument in all registers. I can see why British Brass Bands prefer them because I have found mine has such a great blend with euphs/trombones versus say my Rudi or King 2341.

Perhaps you might want to consider using one of the band's BBb with a tuba stand which would eliminate your neck and back concerns. It would be a heck of a lot less investment on your part than buying a new BBb to play and you wouldn't have to worry about damage to your horn if the band travels. I don't know if your band marches, but if it doesn't you could also have the ball on the bottom (if the band's BBb still has it) removed.
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Post by Andrew »

Just a thought - do you know of the COMPACT version of the BBb 3-top/1-side valve compensator which Willson make? It's the 3100 TA4:
http://images4.thomann.de/pics/prod/183545.jpg
http://www.swissprofi.ch/willson/bb-bass-occas.jpg

Compare it with the non-compact version
http://images4.thomann.de/pics/prod/183546.jpg

Both have exactly the same spec:

compensating system, 4 valves (3+1), stainless steel valves, top action, 18,00 mm bore, 20,00 mm 4th valve bore, brass body, Ø 500 mm brass bell, weight 12,50 kg, new water key system does not disrupt the air flow, clear lacquered

But the 3100 is 95 cm in height while the 6400 is 100.5 cm

If anyone knows these instruments I'd welcome comments because I'm seriously interested in getting a 3100 TA4 for myself
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Post by Wyvern »

Andrew wrote:Just a thought - do you know of the COMPACT version of the BBb 3-top/1-side valve compensator which Willson make? ...

If anyone knows these instruments I'd welcome comments because I'm seriously interested in getting a 3100 TA4 for myself
Andrew, Thanks for bringing the Willson to my attention. However, not suitable in my case, because I suffered a shoulder injury last year which means I cannot comfortably operate top valves any more. I even with great regret had to part with my old Besson 981 EEb! :cry:

If you are interested in a compact BBb for yourself, it may be worth you checking out the one that Mark Carter at Mr.Tuba has made by Melton. That is only a little larger than an EEb. I have not tried myself, but it has got good reviews

http://www.tubanews.com/articles/contentid-200.html
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Post by iiipopes »

In addition, Mark Carter, aka Mr. Tuba, has his own line of tubas, including a BBb 4-valve comp, which has great reviews on both tone and ergonomics.
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Post by Alex C »

I haven't read every post but...

IMHO, if you play in a brass band - and the band is serious about being a British style Brass Band - you have to play a Besson style instrument. No matter what else happens, your band will not sound "right" with American or German sounds from the tuba and bass sections.
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Post by Wyvern »

Mike Johnson wrote:On the other hand (I think we discussed this a couple of years ago) the 7/8 tone slide on the neptune is more than adiquate.
Mike, Yes, I think you are quite right for occasional use, but I don't fancy changing the 5th rotor back and forth and adjusting all the slides multiple times per week.
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Post by Wyvern »

Thanks everyone for your feedback - very useful.

Well, I have taken the plunge and got myself a BBb today :shock: :D

I tried a Melton 25 4/4 BBb in gold brass. It had a lovely tone and I think would have been a good BBb for orchestral use, but just not the sound I want for brass band playing.

I also tried a couple of real big boys, a Fafner and a Cerveny Kaiser tuba.

I loved the Fafner - just the kind of sound I want, but the cost is more than I want to spend at this time to get a BBb for brass band use.

Which brings me onto what I have actually bought, a Cerveny CBB701-4MRX. The sound I thought almost as good as the Fafner and the cost, less than half. I think this will fully provide the foundation to the band I want. It is absolutely enormous, standing a full 5 inches higher than my Neptune and looks really beautiful in red brass (now you know why I was asking Bob)! :wink:

Once I have tried my new acquisition with the band next week, I will post a report with some "horn dorn"!
Last edited by Wyvern on Sat Sep 01, 2007 4:41 am, edited 2 times in total.
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