MW2141 in Chicago?
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MikeMason
- 6 valves

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- The Big Ben
- 6 valves

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- Location: Port Townsend, WA
Being a "manly man" who could hold his tuba, I resisted getting a stand also. However, I bought a tuba rest and have been amazed how much more comfortable I am playing and practicing. It is so much easier balancing the horn on a solid stand to turn/find pages in the music than having the horn flopping around on my lap. I bought the extension also but haveMikeMason wrote:Are you talking about a "rest" type stand or a stand that clamps the tuba in place totally?
not had a reason to play standing up yet.
Now I kinda wish I had bought the kind that clamps on not so much to hold the horn when I play but rather than when I don't play. I have a recording bell and usually have to lay it all the way down or lean it on something. Being able to just "get up" and have the tuba stay would be a convenience.
- Steve Inman
- 4 valves

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- Wyvern
- Wessex Tubas

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- Location: Hampshire, England when not travelling around the world on Wessex business
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- Wyvern
- Wessex Tubas

- Posts: 5033
- Joined: Fri Sep 01, 2006 7:00 pm
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Playing stands
Just because you are big, does not mean you do not need a playing stand. I have also found that a stand has improved my comfort of playing, breathing, reduced accidental damage to the tuba (slipping off chairs, or lap) and most important enable the mouthpiece to be presented at the best playing height so as to be sitting properly upright.
Last year I suffered 3 months of pain through a trapped nerve in my neck, which I suspect was at least partially caused by stooping to reach the low mouthpiece position on my old Besson 981 Eb over many years.
Except where unpractical for short sessions, I will now always use a stand whichever tuba I am playing. For all but the Cerveny, that is to lift the tuba above chair height so I am sitting upright to not risk further injury.
Last year I suffered 3 months of pain through a trapped nerve in my neck, which I suspect was at least partially caused by stooping to reach the low mouthpiece position on my old Besson 981 Eb over many years.
Except where unpractical for short sessions, I will now always use a stand whichever tuba I am playing. For all but the Cerveny, that is to lift the tuba above chair height so I am sitting upright to not risk further injury.
- Wyvern
- Wessex Tubas

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To me they look much the same design, but differing proportions being an Eb and F. I wonder how their tone compares?Bob1062 wrote:Those are a 2141 and a 45SLP. Open them up in the same window as different tabs, so you can click on one then the other to get a good comparison.
I recently manage to make an interesting comparison of my 2040/5 to a 45s F (so the rotary equivalents of both). To my surprise the F was actually darker sounding. The 2040/5 was much closer in sound to a B&S PT-15 which I also tried at the same time.
As you may have noticed in my signature, in the end I decided on a lovely little Meinl-Weston 182 3/4 F. Much lighter and more singing in tone (but still with plenty of power) and fantastic high register, which is exactly what I wanted with the idea of using for French C / ophicleide parts and possibly solo use (once I have mastered F fingerings and intricacies).
Jonathan "who thinks he now really does have ALL the tubas he wants!"
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MikeMason
- 6 valves

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- Wyvern
- Wessex Tubas

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