Band or orchestra?Charlie Goodman wrote:I'm in for tuba mock audition.
ITEC?
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University of Iowa Quartet accepted
I just heard that the University of Iowa Quartet has been accepted. Congratulations to Paul Miller, Chris Dickey, Jeremy Crawford and Michael Hart. (and good luck to you and the rest of the Symphony Band at Carnegie Hall tomorrow night!) I knew you could do it!
John Manning
Atlantic Brass Quintet
Associate Professor of Tuba and Euphonium, University of Iowa
Atlantic Brass Quintet
Associate Professor of Tuba and Euphonium, University of Iowa
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How many got in?
A question for all of you in the know. I am wondering how many were accepted to each competition. I got into the semis for the artist division of solo tuba but have never entered this competition before this year. Just wanted to know what it will be like.
Thanks
Thanks
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Anybody hear from the Jazz competition?
Just curious, anybody who sent in tapes out there but got turned down, do you still plan on attending the conference?
Usually it's around the 10-18 person range for semi's. They usually accept a lot so that people will come to the conference. ($$$ in registration fees for competitors)I am wondering how many were accepted to each competition.
Just curious, anybody who sent in tapes out there but got turned down, do you still plan on attending the conference?
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I am still planning on attending. I was bummed out when I didn't get in, but in all likelihood I'll enjoy the conference more this way. If I had competed but not done too well, I think I'd be a little rattled. Now I'll be going for just the learnin'
phil giampietro
ithaca college '06
university of north texas '10
ithaca college '06
university of north texas '10
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This is based on how it worked in 2006:
All the semi-finalists will either sign up for draw for times. Each person will play their piece(s) for the panel and after everyone has played, the finalists will probably be listed on a board somewhere. The finals are probably held the next day and they work pretty much the same way as the semi-finals except the winners are usually announced at a ceremony.
All the semi-finalists will either sign up for draw for times. Each person will play their piece(s) for the panel and after everyone has played, the finalists will probably be listed on a board somewhere. The finals are probably held the next day and they work pretty much the same way as the semi-finals except the winners are usually announced at a ceremony.
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I've had the most fun doing it this way. It sortta sucks to have to ditch on a master class or going out for "milk and cookies"pgiampi1 wrote:I am still planning on attending. I was bummed out when I didn't get in, but in all likelihood I'll enjoy the conference more this way. If I had competed but not done too well, I think I'd be a little rattled. Now I'll be going for just the learnin'

Nick
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That would be a shame. Last time there were a bunch of guys that did it. Also, Hank Feldman isn't going to be there this year from what I hear, and he had been running it for the last few years.
That could be the case in a few entries. In Budapest there were only three of us. We were the only ones to send in a tape. In Denver, there were a bunch.
I stopped doing it because I found my jazz voice on bass. I haven't tried jazz euph in years. If you really think about it, there really aren't that many guys that do jazz tuba/euphonium, and that's a shame. But it's just too hard to major in that, and play trombone in a big band (and in my case, learn bass too) and expect to get everything down. And, none of the combos really wants a euphonium player. If you play an instrument that's not traditionally in a genre you're crashing, you really better be killin.
Since Harvey Phillips and Rich Matteson, not many have really taken the task of really trying to get the jazz tuba/euph voice out there. There are some great players, like Marc Dickman and Tom Ball, but what they do keeps them busy enough.
On a related subject, since my understanding of the music language has improved, I'm thinking about heading back down that path with all my instruments. Think Marcus Miller on bass and bass clarinet.
Nick
That could be the case in a few entries. In Budapest there were only three of us. We were the only ones to send in a tape. In Denver, there were a bunch.
I stopped doing it because I found my jazz voice on bass. I haven't tried jazz euph in years. If you really think about it, there really aren't that many guys that do jazz tuba/euphonium, and that's a shame. But it's just too hard to major in that, and play trombone in a big band (and in my case, learn bass too) and expect to get everything down. And, none of the combos really wants a euphonium player. If you play an instrument that's not traditionally in a genre you're crashing, you really better be killin.
Since Harvey Phillips and Rich Matteson, not many have really taken the task of really trying to get the jazz tuba/euph voice out there. There are some great players, like Marc Dickman and Tom Ball, but what they do keeps them busy enough.
On a related subject, since my understanding of the music language has improved, I'm thinking about heading back down that path with all my instruments. Think Marcus Miller on bass and bass clarinet.
Nick
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What about Marty Erickson (Lawrence Univ, Appleton, WI) and Bill Huber (Trevecca Nazarene University, TN) and Joe Murphy (Univ of Cumberlands, KY) and Barry Green and Richard Perry (Southern Miss) and R Wintson Morris (Tenn. Tech) and Jon Sass (Austria)?BopEuph wrote:
If you really think about it, there really aren't that many guys that do jazz tuba/euphonium, and that's a shame.
Since Harvey Phillips and Rich Matteson, not many have really taken the task of really trying to get the jazz tuba/euph voice out there. There are some great players, like Marc Dickman and Tom Ball...
Nick
Did you miss Jerry Young's (UW-Eau Claire) hour long lecture recital on jazz tuba at ITEC 2006?
Or any of Bob Stewart's acomplishments? Or Howard Johnson?
I bet you would find that Sergio Carolino or Roland Szentpali or Allesandro Fossi (and analarmingly large number of professional tubists) would be just as comfortable in a jazz setting as a solo, chamber, or orchestral setting.
There's also all the european guys that play in Heavy Tuba. I think Roland Szentpali is one of them, actually.
Hopefully this opens your eyes to how many people there are that are playing jazz tuba successfully. There are tons more who are doing it successfully, but under the radar. Tons or brass bands (rebirth, dirty dozen, michael foster project, just to name a few) other groups like drums and tuba, and also just guys. Stefan Kacz (sp?) in the twin cities area won some of the jazz area competitions at ITEC 2006. So there are young minds out there doing this stuff too.
After ITEC 2006, everyone went back to the bar in the hotel and there was 4 hours straight of jazz tuba and euphonium being played while everyone just chilled out. It is a lot more prevalent than you think.
Next time, do a bit more research. You can google all this stuff and find it, along with more. I'm just saying. Don't need this to start something. Just putting this info out there.
Andy Larson-DMA
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Professor of Low Brass, Seminole State College
Paramedic Intern, Seminole State College
ED Tech, Halifax Med. Ctr.
Vol. Fire Police, Volusia County Fire Rescue
Tuba teacher, performer, composer, artist
http://www.vimeo.com/larsontuba
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Professor of Low Brass, Seminole State College
Paramedic Intern, Seminole State College
ED Tech, Halifax Med. Ctr.
Vol. Fire Police, Volusia County Fire Rescue
Tuba teacher, performer, composer, artist
http://www.vimeo.com/larsontuba