The regulations are in place because of a scenario more along these lines: You want $750 for the wedding, and the groom thinks, "I know the bandleader at Ft. Blahblah. I should see if he could get some of his guys to put a group together." Used to happen a lot, I guess, and it wasn't just the civilian musicians who weren't getting paid. Nobody got paid. Abuse of the players and the government equipment used to happen a lot more often back in the olden days.jtuba wrote:Let's try to interpret Title 10. You have a BQ and I have a military BQ for a wedding. You want $750 for the group, but I'll take $500 for the group and undercut you out of a job. I think that's the real spirit of title 10 and that's what the unions are trying to prevent.
In the scenario you set, well, some military musicians might try that. Some union musicians might, as well. Symphony musicians might, too. The d-bag factor can show itself anywhere. Sucks, but there it is. Been cut out of many gigs myself.
Part A: I hear what you're saying. There's a lot of freelancing civilians around here who must beat their heads against the wall regularly. This is a different market than anywhere else in the country, and it's not easy to establish oneself, even if you're a military musician.Mojo workin' wrote:More to the spirit of it, military personnel already have a gig playing their instrument. I've seen plenty of civilian players not play gigs that they should have because a military player came in and accepted the gig. Tom brought something else to light-military functions trump all civilian gigs no matter what. Why hire a military player when the possibility of them bailing out at the last minute exists? I've been in orchestras where this has happened. No one is ever happy about it, especially the contractor.
Part B: Like I said before, some contractors don't hire military guys anymore. Been burned once too many times, and won't go there again. Some keep hiring the military guys because they like what they get. To each, their own. I don't book gigs, so I can't guesstimate any more than that.
Some of the old-timers who were freelancing when I first got to town would talk about the 50's and 60's kind of wistfully, actually. I had one old trumpet player tell me, "Back when the unions were totally corrupt, if a restaurant manager screwed with the band one night, he wouldn't get his food delivered the next day." He may have been exaggerating, but I'm fairly certain that the atmosphere in CA was not too different when you sang that wedding gig. The union guys had a lot of clout back then, weren't afraid to use it, even if it meant reporting a scab just because they were too scared of the consequences if they DIDN'T report it. That may not have been the case with you, the guy who put you on the scab list may have just been a d-bag, but we'll never know. Those were different times, though. Go back to my first too-long post and hit the link for Tom Lee's bio. What he accomplished, considering how the union and the military butted heads back when he was just a piano player, it's really amazing he didn't get his hands broken.CATransplant wrote:When I was in high school, way back in the early 60s... (snip) Next think I knew, I was on the scab list at the local union. I didn't even know about musicians unions...I was a high school kid, and I'd never been paid to do any music.
If I could find the picture, I'd be beaming it up to TubeNet now, if ya know what I mean...kingrob76 wrote:they're just like everybody else (except with funny haircuts, like Holtz's)






