
I suspect that you had the misfortune to play on an exceptionally poor instrument (4 wutevr reezin)




I hate the fact that this is 100% true.Matthew Gilchrest wrote:However much of a troll the OP is, there are a lot of kids who think the same thing.

Yup, and some elderly ladies with wrecked tastes even may find them delicious, when stuffed:ehlutzcem wrote:Well, to get serious for a moment....NO, they have their place.
For example, they're about the only tuba an old guy like me can carry in a parade without paying a couple hunnert bucks to the chiropractor a couple days later.
Plus, they're very nice to take to a tupperware party....
And, you can usually pick one up for about $400 on ebay....
And, if you get a dent or hole, you can fix it with "Bond-O"
So, my vote is, they should not be banned.


When were you there, Matt? I wondered what that smell was in my horn back in 1988.Matthew Gilchrest wrote:When I played at Disney as a student musician, they had a Yamaha fiberglass sousaphone that had been tricked out a bit by the on staff repair person. It played pretty well, IMO. I like it better than the brass Yamaha examples we had (borrowed from my university). You couldn't hear yourself all that well, but it sounded fine out front with exception of the extreme low register (below the open fundamental). Conversely, false tones seemed to be more present, IIRC.

Try this solution. Don't play pedal Bb.Bob1062 wrote:the only downside seems to be the very strong bell ring (that lasts a few seconds after the note) when playing a pedal Bb.


I was there in the mid-90s. I wondered what that smell was!Todd S. Malicoate wrote:When were you there, Matt? I wondered what that smell was in my horn back in 1988.Matthew Gilchrest wrote:When I played at Disney as a student musician, they had a Yamaha fiberglass sousaphone that had been tricked out a bit by the on staff repair person. It played pretty well, IMO. I like it better than the brass Yamaha examples we had (borrowed from my university). You couldn't hear yourself all that well, but it sounded fine out front with exception of the extreme low register (below the open fundamental). Conversely, false tones seemed to be more present, IIRC.

YEStuba hg wrote:Should Glass Fibre or Plastic (or whatever is used to make them) Sousaphones be banned olton many years ago and I had to work very hard to make the instrument 'speak'. Give me my new 982 any time


Isn’t that what huntsmen use to avoid accidental shots? Apparently also doubles for fly fishing.Bob1062 wrote:Man Dale, you sure have some collection of funny hats!





iiipopes wrote: Those who prefer contras have either been brainwashed by corps style marching or have not had the opportunity to really put a real souzy through the paces.

Or maybe both...iiipopes wrote:Those who prefer contras have either been brainwashed by corps style marching or have not had the opportunity to really put a real souzy through the paces.


My point exactly. A good contra is probably better than a bad souzy, but a good sousaphone is better for outdoors than just about any other foundational brass.tubaguy9 wrote:Or maybe both...iiipopes wrote:Those who prefer contras have either been brainwashed by corps style marching or have not had the opportunity to really put a real souzy through the paces.Only sousa's I've tried are a few fiberglass sousas
and a Jupiter sousa...
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But, I've marched a King marching tuba, and a GG Dynasty Contra...
The contras were better.

