Hi there,
Can the sousa-experts please take a look at the sousaphone on this link:
http://www.2dehands.be/sousafoon-martin ... er=2137071
The text is in dutch, but it says only that this is a Martin sousaphone...
What can you tell me from this horn with the pictures?
Can somebody give me more information on how Martin horns play in general?
This one looks like a smaller bore horn, or am I wrong?
Thank you gentlemen,
Wim
Martin sousaphone model??
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Re: Martin sousaphone model??
I actually used to play on one of these back in high school. One of the sousaphones had the Martin design engraved on the back of the bell. They're a pretty nice horn to play on. Sound is very free flowing and you can really crank out some notes with the horn as well. That's about all I remember from the horn though.
If you're thinking about purchasing it, I say go for it. I don't think you'll have any problems with the horn.
If you're thinking about purchasing it, I say go for it. I don't think you'll have any problems with the horn.
Matthew Gray
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Re: Martin sousaphone model??
Martin’s best model apparently was the Handcraft. Only a look at the bell engraving will tell whether the auction sample is from that line. I agree with this one being a medium sized sample.
Klaus
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Re: Martin sousaphone model??
The bell engraving says 'handcraft' allright. (zoom the picture a bit)imperialbari wrote:Martin’s best model apparently was the Handcraft. Only a look at the bell engraving will tell whether the auction sample is from that line. I agree with this one being a medium sized sample.
Klaus
Do I have a winner?
Wim
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Re: Martin sousaphone model??
You have a potential. Whether you have a winner may only be determined by test and inspection.
Klaus
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Re: Martin sousaphone model??
From what I've seen of Martin brass instruments, the word 'Handcraft' was used on many Martin models. From my experience, 'handcraft' doesn't mean much unless you plug in other words like 'committee', 'imperial', etc.imperialbari wrote:Martin’s best model apparently was the Handcraft. .... Klaus
From what I've read, Martin's 'claim to fame' was the alloy of their brass... which was supposed to have contained more copper and less zinc.
Dan Schultz
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Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
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Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
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Re: Martin sousaphone model??
OK, maybe a stupid question, but will my denis Wick 2L fit this sousa?imperialbari wrote:You have a potential. Whether you have a winner may only be determined by test and inspection.
Klaus
THX,
WIm
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Re: Martin sousaphone model??
As the DW L series fits the normal American basses (but not the old small receiver Eb tubas) your DW2L should fit that Martin also.oedipoes wrote: OK, maybe a stupid question, but will my denis Wick 2L fit this sousa?
THX,
WIm
Klaus
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Re: Martin sousaphone model??
The Martin's you've had in your hands, were they well put together?TubaTinker wrote:From what I've seen of Martin brass instruments, the word 'Handcraft' was used on many Martin models. From my experience, 'handcraft' doesn't mean much unless you plug in other words like 'committee', 'imperial', etc.imperialbari wrote:Martin’s best model apparently was the Handcraft. .... Klaus
From what I've read, Martin's 'claim to fame' was the alloy of their brass... which was supposed to have contained more copper and less zinc.
You've probably seen them from the inside?
Wim
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Re: Martin sousaphone model??
Yes... I've had several Martin sousas and tubas apart... including a BBb 'mammoth' and an Eb 'medium'. None of them exhibited more good or bad workmanship issues other tubas or sousas I've worked on. I have yet to see a tuba or sousa with perfectly smooth transitions inside the ferrules. ... but Martin seemed to take pretty good care during the hand-assembly operations. Developing smooth transitions inside the ferrules is a very time consuming process and anyone who has ever worked in manufacturing knows that there is almost always a trade-off when it comes to quality and speed. I suppose Martin was just as concerned about the quality versus profit issue as every other horn maker of it's day.oedipoes wrote:TubaTinker wrote:....The Martin's you've had in your hands, were they well put together?
You've probably seen them from the inside? Wim
It's a bit of a tangent but modern manufacturing techniques lends itself more to better quality because the consistency of the parts coming to the final assembly bench is better than in the old days when those large sousa and tuba bows were pretty much hand made.
Dan Schultz
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Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.