Gerard Hoffnung, artist, humorist, tubist
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MichaelDenney
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Gerard Hoffnung, artist, humorist, tubist
While bumbling, or perhaps staggering, through the internet (I can't say "searching" since I rarely have a defined goal) I learned of this amusing gentleman whom our British cousins no doubt know well, and, because of the tuba connection, many on this side of the pond too. His cartoon style seems familiar and certainly his "Bricklayer's Lament," but I didn't know the back story.
He decided to study the tuba at age 25 because many of his friends were musicians, and after three years he became tubist for a respected amateur orchestra. Gutsy.
This year is the fiftieth anniversary of his untimely passing. Although he died young he apparently produced a great deal of work, much of it cartoons poking fun at conductors and musicians...
http://www.musicweb-international.com/h ... artoon.htm" target="_blank" target="_blank"
http://www.musicweb-international.com/h ... /index.htm" target="_blank" target="_blank" target="_blank"
http://en.wikipedia.org/wiki/Gerard_Hoffnung" target="_blank" target="_blank"
He decided to study the tuba at age 25 because many of his friends were musicians, and after three years he became tubist for a respected amateur orchestra. Gutsy.
This year is the fiftieth anniversary of his untimely passing. Although he died young he apparently produced a great deal of work, much of it cartoons poking fun at conductors and musicians...
http://www.musicweb-international.com/h ... artoon.htm" target="_blank" target="_blank"
http://www.musicweb-international.com/h ... /index.htm" target="_blank" target="_blank" target="_blank"
http://en.wikipedia.org/wiki/Gerard_Hoffnung" target="_blank" target="_blank"
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Re: Gerard Hoffnung, artist, humorist, tubist
Wikipedia, under "Subcontabass tubas," says, ". . . in the 1950s, British musician Gerard Hoffnung commissioned the London firm of Paxman to create a subcontrabass tuba for use in his comedic music festivals . . . ." [no photo on Wikipedia, and footnotes omitted].
The photo below apparently is of the Paxman-made subcontrabass tuba. I've seen it reported to be either CCC, EEEb or BBBb.
The photo below apparently is of the Paxman-made subcontrabass tuba. I've seen it reported to be either CCC, EEEb or BBBb.
harold wrote:The Paxman horn is a CCC and is in a private collection. . . .
Dean E
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[S]tudy politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy . . . in order to give their children a right to study painting, poetry [and] music. . . . John Adams (1780)
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eupher61
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Re: Gerard Hoffnung, artist, humorist, tubist
it's in CCC, with slides to extend to BBBb, in my understanding. And, yes, it's in a private collection.
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Re: Gerard Hoffnung, artist, humorist, tubist
Hoffnung was a brilliant satirist; his cartoons, many of which appeared in London newspapers, were right on point to musicians, perhaps less so to conductors. His "Music Festivals" predated P.D.Q. Bach, and were outrageous parodies (Concerto for Two Hoovers). On some of them, Dennis Brain played a Mozart horn concerto on a garden hose (and it was pretty damn good). At least one of these concerts was recorded and sold commercially (on vinyl), although I don't know if it was ever transferred to CD.
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Re: Gerard Hoffnung, artist, humorist, tubist
All of the festivals have been released on one CD set - I have it (along with most of the original Angel LP recordings.)skeath wrote:Hoffnung was a brilliant satirist; his cartoons, many of which appeared in London newspapers, were right on point to musicians, perhaps less so to conductors. His "Music Festivals" predated P.D.Q. Bach, and were outrageous parodies (Concerto for Two Hoovers). On some of them, Dennis Brain played a Mozart horn concerto on a garden hose (and it was pretty damn good). At least one of these concerts was recorded and sold commercially (on vinyl), although I don't know if it was ever transferred to CD.
HERE IS THE OFFICIAL SALES WEBSITE:
http://www.musicweb-international.com/h ... ffsale.htm but you can probably still get some of them on Amazon.com or amazon.co.uk
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Re: Gerard Hoffnung, artist, humorist, tubist
That was Hoffnung? I had no idea. I've always heard it as "Paddy's Sick Note", here sung by the great Sean Cannon:MichaelDenney wrote:...His cartoon style seems familiar and certainly his "Bricklayer's Lament," but I didn't know the back story.
http://www.youtube.com/watch?v=cP7AQ8Pp ... re=related" target="_blank" target="_blank
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Re: Gerard Hoffnung, artist, humorist, tubist
I don't think Hoffnung ever claimed to have actually written it, but his version is one of the best (it was recorded in 1958.) Paddy Reilly was performing at that time and he has done the "Sick Note" based on the same story line. Probably goes back to the Vaudeville era.Mike Finn wrote:That was Hoffnung? I had no idea. I've always heard it as "Paddy's Sick Note", here sung by the great Sean Cannon:MichaelDenney wrote:...His cartoon style seems familiar and certainly his "Bricklayer's Lament," but I didn't know the back story.
http://www.youtube.com/watch?v=cP7AQ8Pp ... re=related" target="_blank" target="_blank" target="_blank" target="_blank
:lol:
Last edited by David Richoux on Tue May 26, 2009 12:09 am, edited 1 time in total.
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Re: Gerard Hoffnung, artist, humorist, tubist
David Richoux wrote: Paddy Reilly was performing at that time and he has done the "Sick Note" based on the same story line.
Your soul speaks through your music.
Say what you mean.
Say it with a Mike Finn Mouthpiece.
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Re: Gerard Hoffnung, artist, humorist, tubist
Regarding the sub-contrabass tuba: I seem to recall that the liner notes on the original LP stated that the tuba had been made for John Philip Sousa to celebrate his visit to England. Paxman did have it in the shop some time around 1960, and sold it to Ron Snyder. There was a story about him and the tuba in Life Magazine shortly after that.
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Re: Gerard Hoffnung, artist, humorist, tubist
I believe that this is a photo of Ron Snyder with the Hoffnung subcontrabass tuba.
It definitely postdates the storage of the horn at Paxson's because you can see the collar on the bell that was a result of having to cut the bell to remove the horn from Paxson's basement and then re-attach it. Subsequent to placing the horn in storage there in the late 1950's (after the Hoffnung Festival in which Mr. Hoffnung played the horn), some genius built a wall at Paxson's that prevented the horn from clearing the stairway without cutting the bell.
Notice the 1960's vintage decor including, on the bookshelf to the right of the tuba, what appears to be a classic off-white/emerald green/gold bound edition of the World Book Encyclopedia. You can also see some enlarged music on the wall (a photographic stunt?).

The current owner of the subcontrabass tuba has it permanently placed in a custom-built stand with casters (see Klaus' photo in the previous post). In the photo of Mr. (Dr.?) Snyder, the horn appears to be sitting on a standard upholstered chair or stool and leaning against a wall to place it into playing position. Could you imagine having to lift and tilt this huge tuba every time you wanted to stabilize it for playing--and then lifting it again to return it to its resting position?
It definitely postdates the storage of the horn at Paxson's because you can see the collar on the bell that was a result of having to cut the bell to remove the horn from Paxson's basement and then re-attach it. Subsequent to placing the horn in storage there in the late 1950's (after the Hoffnung Festival in which Mr. Hoffnung played the horn), some genius built a wall at Paxson's that prevented the horn from clearing the stairway without cutting the bell.
Notice the 1960's vintage decor including, on the bookshelf to the right of the tuba, what appears to be a classic off-white/emerald green/gold bound edition of the World Book Encyclopedia. You can also see some enlarged music on the wall (a photographic stunt?).

The current owner of the subcontrabass tuba has it permanently placed in a custom-built stand with casters (see Klaus' photo in the previous post). In the photo of Mr. (Dr.?) Snyder, the horn appears to be sitting on a standard upholstered chair or stool and leaning against a wall to place it into playing position. Could you imagine having to lift and tilt this huge tuba every time you wanted to stabilize it for playing--and then lifting it again to return it to its resting position?
Last edited by Steve Marcus on Wed Jun 03, 2009 9:33 am, edited 1 time in total.
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Re: Gerard Hoffnung, artist, humorist, tubist
No...but I could imagine playing Tchaik 4 on it...and liking itSteve Marcus wrote:Could you imagine having to lift and tilt this huge tuba every time you wanted to stabilize it for playing--and then lifting it again to return it to its resting position?
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Re: Gerard Hoffnung, artist, humorist, tubist
Please correct me if I'm wrong but I think Hoffnung refers to this tuba as his "sub-octo-contrabass tuba" either on the recording or the original liner notes.Dean E wrote:Wikipedia, under "Subcontabass tubas," says, ". . .
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Practicing results in increased atmospheric CO2 thus causing global warming.
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Re: Gerard Hoffnung, artist, humorist, tubist
Well, he could call it whatever he wanted to. In introducing the horn to his audience, he pointed to two branches and identified them as "hot" and "cold."
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Re: Gerard Hoffnung, artist, humorist, tubist
Judging by the audience reaction to that bit, I think he was opening the two spit valves (but I wasn't there to confirm this...;-)Steve Marcus wrote:Well, he could call it whatever he wanted to. In introducing the horn to his audience, he pointed to two branches and identified them as "hot" and "cold."
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Re: Gerard Hoffnung, artist, humorist, tubist
He also commented that there was a fourth valve "on this tuba but... I've... never.... been.... able.... to find it..."
City Intonation Inspector - Dallas Texas
"Holding the Bordognian Fabric of the Universe together through better pitch, one note at a time."
Practicing results in increased atmospheric CO2 thus causing global warming.
"Holding the Bordognian Fabric of the Universe together through better pitch, one note at a time."
Practicing results in increased atmospheric CO2 thus causing global warming.