I was near Hamburg for my job and visited the Gronitz company this morning.
Any specific questions?
Wim (back already)




Which is Euro-speak for what the rest of the world calls "second floor".oedipoes wrote:...on the first floor of an ordinary building ...

And what would be the sister horn then?LJV wrote:Did they mention that Meinl Weston/Melton now builds the PCK for them? That PCK surplus comes from the minimum batch numbers required. They anticipated a demand that was met by their competitor and contract builder's "sister horn."
Seem like nice folks.



Ferguson wrote:Yes, I asked Dietrich about it, and he did say that some of the work is being done by JA (Meinl Weston is one of JA's brands), but it looks like they still do much of the work in house. It's common for brass makers to buy bells and valves elsewhere. I believe Alexander does that as well.
Ferguson
From Dietrich:
Hi Steve,
since my old bell maker decided to stop the production of
tuba bells,I looked around to find anyone to make the bells
for me.After trying 2 others which I found not sartisfying,
I tried Wenzel Meinl (Meinl-Weston),and they did a good job.
So since then I get the bells from them.We never did laquering
and plating ourselves and after trying others I found out that
JA music makes the best job in silverplating.In between I'm
67 years old and I looked to find someone to do grinding
and polishing work for me,but I couldn't find one.So I decided
to let the Wenzel Meinl company do it.Now the procedure
for piston tubas is : I'm sending the parts and valves (Bauerfeind)
to Geretsried,they do grinding,polishing ,completing and the finish,
and I get it back ready to use.
All work done by WM is controlled by me,
the quality is the same as ever,the finish is better as ever.
Rotor instruments are still made in Hamburg.
The reason is that I have to retire sometimes but cannot find
anyone to take over.The young guys would like to earn much
money,but not to do hard and dirty tuba work.
I do not understand what there is of importance for the players,.
Other companies let doing big parts of their production in china
(Yamaha) and nobody finds it annoying.
Because of the poor economy I have more instruments in stock
as as otherwise.
3 PCK's (2silver,1laquer) 3 PF125 (laquer) 2 PCM's (1silver1laquer)
Best regards,
Dietrich

Ironically, the one Gronitz I have lusted over was their big Eb piston valve PE-55 bass. But, though a native of and resident in the States, I'm the exception that proves the rule, inasmuch as I would be highly unlikely to spend the money to buy one. Seemed to be well received by those (optimistically using the plural) who bought it, but I wonder how many ever sold over here - two or three?oedipoes wrote:mmm, well,
Export to the States is their main business, so there were only C and F tubas there.


No the PCK and Thor are very different beasts. I played both at TMEA and the PCK is closer to the 6450 than the Thor. Possibly even somewhere between the 2 would be a more accurate description.imperialbari wrote:To spell out a question of the implied message of this thread:
Are the PCK and the Thor very similar?
Klaus