The standard orchestral tuba in Great Britain until the late 60's was the five-valved uncompensated Barlow F tuba, a small instrument with a bell hardly bigger than a euphonium. It probably had more in common with a small French C tuba than with current instruments.iiipopes wrote:RVW being a UK composer, and until recently the tuba most often used, even in orchestra, being an Eb, ztuba has a point.ztuba wrote:play it on a Eb and everything is gravy
The Eb tubas were used in bands, and at the time I think even those were in high-pitch, just to make the divide between band and orchestra that much more difficult to cross.
Catelinet's four-valve compensated F tuba was probably unusual.
As the story goes, Fletcher was unable to locate an F tuba, and B&H wasn't making any more, so he decided to use Eb. He altered it to suit him, leading to the Sovereign model. This all happened a decade and ore after the RVW was premiered. At the U.S. premiere, Bill Bell used his King Franken-F.
I can't play the trill at all. I usually improvise something different there that sounds musical to me. After all, I'm not practicing it for performance, unless our cat constitutes a bona fide audience. And she is usually at the back door meowing to go out when I'm hacking my way through bits of the RVW.
Rick "suspecting RVW wasn't that concerned with what valves were easy to push" Denney




