Fortune Cookie Music Lessons [Read the Rules, Please]
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Tubaguyry
- bugler

- Posts: 208
- Joined: Sun Apr 04, 2004 3:14 am
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
Don't go to the practice room...
...because you know you need to go there to improve your skills so that you can get a playing job.
...because your teacher said you need to put in X number of hours per day in the practice room.
...because it's what musicians are supposed to do.
...because you feel guilty for not practicing.
...because you want to pass that jury/win that competition.
Go to the practice room only if there is NOTHING else in the world you would rather be doing than playing your instrument. If that's not the case, don't waste your time.
...because you know you need to go there to improve your skills so that you can get a playing job.
...because your teacher said you need to put in X number of hours per day in the practice room.
...because it's what musicians are supposed to do.
...because you feel guilty for not practicing.
...because you want to pass that jury/win that competition.
Go to the practice room only if there is NOTHING else in the world you would rather be doing than playing your instrument. If that's not the case, don't waste your time.
Ryan Rhodes
Springfield, MO
Big Mouth Brass J-445LQ F
JinBao 600S F
1919 Holton Eb
1964 Olds O-97 BBb sousaphone
"When the power of love overcomes the love of power the world will know peace." - Jimi Hendrix
Springfield, MO
Big Mouth Brass J-445LQ F
JinBao 600S F
1919 Holton Eb
1964 Olds O-97 BBb sousaphone
"When the power of love overcomes the love of power the world will know peace." - Jimi Hendrix
- windshieldbug
- Once got the "hand" as a cue

- Posts: 11516
- Joined: Tue Mar 01, 2005 4:41 pm
- Location: 8vb
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
Do not complain about person with stick. Even when right, you're wrong.
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
- imperialbari
- 6 valves

- Posts: 7461
- Joined: Fri Mar 19, 2004 3:47 am
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
Who would want to meet a female tubist able to sing her part in the right octave?ben wrote:if you can not sing it, you can not play it
K
- USMCTuba
- bugler

- Posts: 33
- Joined: Tue Sep 18, 2007 8:20 pm
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
"We are what we repeatedly do. Excellence, then, is not skill, but habit." -Aristotle
"Amateurs practice until they get it right. Professionals practice until they can't get it wrong" - unknown
When asked "What is the greatest obstacle to enlightenment?" the Buddha replied, "Laziness,"
"It takes a long time to sound like yourself." -Miles Davis
Use your pencil. Amateurs remember, Professionals take notes.
If you're worried about right and wrong you are not making music.
"Amateurs practice until they get it right. Professionals practice until they can't get it wrong" - unknown
When asked "What is the greatest obstacle to enlightenment?" the Buddha replied, "Laziness,"
"It takes a long time to sound like yourself." -Miles Davis
Use your pencil. Amateurs remember, Professionals take notes.
If you're worried about right and wrong you are not making music.
Last edited by USMCTuba on Sat Sep 12, 2009 6:44 pm, edited 1 time in total.
The Marines I have seen around the world have the cleanest bodies, the filthiest minds, the highest morale, and the lowest morals of any group of animals I have ever seen. Thank God for the United States Marine Corps!
- Eleanor Roosevelt
- Eleanor Roosevelt
- imperialbari
- 6 valves

- Posts: 7461
- Joined: Fri Mar 19, 2004 3:47 am
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
Octaves are very important in my evaluation of ladies. I once heard a vocal group of six black ladies out of DC. Their bass was marvellous, but was she a woman? If I were into watching female athletics, then 800m wouldn’t be my first choice currently.ben wrote:Klaus, octave is not important - it is more an exercise in performance of pitch, attack, dynamics, musicality, and rhythm. If you can't sing it like you want it to sound, how are you going to be able to play it that way?
I've met a few women who just need a few more cigarettes, and they'd have range that low!
Klaus
- sloan
- On Ice

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- Location: Nutley, NJ
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
'tis a poor workman who blames his tools.
Kenneth Sloan
- The Big Ben
- 6 valves

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- Location: Port Townsend, WA
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
"It don't mean a thing if it ain't got that swing..." -Ellington
True in all forms of music....
True in all forms of music....
- windshieldbug
- Once got the "hand" as a cue

- Posts: 11516
- Joined: Tue Mar 01, 2005 4:41 pm
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Re: Fortune Cookie Music Lessons [Read the Rules, Please]
'tis a poor tool who blames his workman.sloan wrote:'tis a poor workman who blames his tools.

Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
-
tubeast
- 4 valves

- Posts: 819
- Joined: Thu Feb 17, 2005 3:59 pm
- Location: Buers, Austria
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
Most of these are intended for beginning musicians and amateur settings.
- Play marches like a tubist. "Pupp - Pupp" is not YOUR job, it´s the bass drum´s.
- feel "Crescendo!!" when playing a DEscending line.
- Phrasing and sex have one thing in common: You don´t want to stop before the climax.
- exaggerate dynamic changes. Example: coming from mezzoforte, a crescendo starts at piano.
- ALL notes, no matter what rhythmical value, consist of a beginning, a duration (correct word ? Would "length" be better?), and an end. Be aware of all three of them.
- Fast passages should consist of notes with an open end. "TooTooTooToo" will work MUCH faster than "toot toot toot toot"
- most technical problems can be reduced to lack of air.
- You, the drummer, and the conductor form a magic triangle. If the three of You groove well, the others cannot help but play well. Any two out of these three can ...errr... PERSUADE the third to team up with them. Any one of the triangle can spoil it for everybody.
- Don´t insist on 1st chair if You and/or others think You´re the best in the section. Rotate parts where at all possible. People grow with their tasks, and it´s one of your jobs to motivate your buddies.
- You and your section mates should do EVERYTHING together. Except for breathing.
- Play marches like a tubist. "Pupp - Pupp" is not YOUR job, it´s the bass drum´s.
- feel "Crescendo!!" when playing a DEscending line.
- Phrasing and sex have one thing in common: You don´t want to stop before the climax.
- exaggerate dynamic changes. Example: coming from mezzoforte, a crescendo starts at piano.
- ALL notes, no matter what rhythmical value, consist of a beginning, a duration (correct word ? Would "length" be better?), and an end. Be aware of all three of them.
- Fast passages should consist of notes with an open end. "TooTooTooToo" will work MUCH faster than "toot toot toot toot"
- most technical problems can be reduced to lack of air.
- You, the drummer, and the conductor form a magic triangle. If the three of You groove well, the others cannot help but play well. Any two out of these three can ...errr... PERSUADE the third to team up with them. Any one of the triangle can spoil it for everybody.
- Don´t insist on 1st chair if You and/or others think You´re the best in the section. Rotate parts where at all possible. People grow with their tasks, and it´s one of your jobs to motivate your buddies.
- You and your section mates should do EVERYTHING together. Except for breathing.
Hans
Melton 46 S
1903 or earlier GLIER Helicon, customized Hermuth MP
2009 WILLSON 6400 RZ5, customized GEWA 52 + Wessex "Chief"
MW HoJo 2011 FA, Wessex "Chief"
Melton 46 S
1903 or earlier GLIER Helicon, customized Hermuth MP
2009 WILLSON 6400 RZ5, customized GEWA 52 + Wessex "Chief"
MW HoJo 2011 FA, Wessex "Chief"
- Rick Denney
- Resident Genius
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Re: Fortune Cookie Music Lessons [Read the Rules, Please]
If you don't enjoy listening to good music, you won't enjoy performing it.
Good tuba playing is conspicuous by its absence.
Music is not a sport. Nobody is keeping score.
Playing scales, etc., is the meat; performing great music is the gravy.
Rick "if you want to be a pro, look and act like a pro" Denney
Good tuba playing is conspicuous by its absence.
Music is not a sport. Nobody is keeping score.
Playing scales, etc., is the meat; performing great music is the gravy.
Rick "if you want to be a pro, look and act like a pro" Denney
- Gongadin
- 3 valves

- Posts: 496
- Joined: Wed Aug 04, 2004 10:40 pm
- Location: Toronto, Ontario, Canada
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
Man, that's one long fortune cookie! Maybe that one came in a two-pack?the elephant wrote:Do not try to fix something by running it over and over and hoping that the issues will correct themselves through repetition. Slow it down until you can execute it flawlessly and with zero hesitation in your fingers. Then speed it up. Otherwise you are reinforcing your errors.
- MileMarkerZero
- 3 valves

- Posts: 431
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- Location: Knoxville, Tennessee
Re: Fortune Cookie Music Lessons [Read the Rules, Please]
The very best professional tubists in the world don't try to play 4-bar phrases. With the amount of air the instrument takes, it is an exercise in futility. The very best know how to integrate the breath so that it becomes as much a part of the musical line as the notes.
SD
I am convinced that 90% of the problems with rhythm, tone, intonation, articulation, technique, and overall prowess on the horn are related to air issues.
I am convinced that 90% of the problems with rhythm, tone, intonation, articulation, technique, and overall prowess on the horn are related to air issues.
- Tuba Guy
- 4 valves

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Re: Fortune Cookie Music Lessons [Read the Rules, Please]
That is one of the best and most honest pieces of advice I've heard in a while. Thank youMileMarkerZero wrote:The very best professional tubists in the world don't try to play 4-bar phrases. With the amount of air the instrument takes, it is an exercise in futility. The very best know how to integrate the breath so that it becomes as much a part of the musical line as the notes.
"We can avoid humanity's mistakes"
"Like the tuba!"
"Like the tuba!"