Brahms German Requiem

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Jeff Keller
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Brahms German Requiem

Post by Jeff Keller »

Bass or contrabass? I won't get the part until tomorrow. Just wanted a heads up.
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Re: Brahms German Requiem

Post by MartyNeilan »

Bass, but it can work on contrabass if you have a delicate touch in the high register and a big enough choir. Listen to the bass trombone - you are basically an extension of him (and he has a much better part :( )

Edit - see that you have a Thor. The PT-10 would probably be a better choice for this piece.
Last edited by MartyNeilan on Wed Apr 07, 2010 11:43 am, edited 1 time in total.
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Re: Brahms German Requiem

Post by cambrook »

Bass for sure, of course you can play the notes on contrabass, but it's much easier to avoid drowning the choir with a bass tuba.

Enjoy it!

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Re: Brahms German Requiem

Post by imperialbari »

The 4 low brass parts are here:

http://imslp.info/files/imglnks/usimg/8 ... wBrass.pdf


The tuba part starts on page 13 of that .pdf file.

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Re: Brahms German Requiem

Post by Wyvern »

Quite apart from the range, a bass tuba just provides a more appropriate tone for the part. Brahms would have written this with F tuba in mind.

BTW I would use a bass tuba for any Brahms including the 2nd symphony
Last edited by Wyvern on Wed Apr 07, 2010 3:03 pm, edited 1 time in total.
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Re: Brahms German Requiem

Post by imperialbari »

Just tested my link in a couple of browser. Only works in one, as there is a copyright disclaimer acceptance procedure (or whatever you would call it) to be passed. This link goes to a directory page, where the whole requiem is under E:

http://imslp.org/wiki/Category:Brahms,_Johannes

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Re: Brahms German Requiem

Post by hbcrandy »

Though, the last time I played the Requiem, I used my Bell Model Meinl Weston CC tuba, I will vote, with the rest of my colleagues that responded, for using a bass tuba in either F or Eb.
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Re: Brahms German Requiem

Post by J.c. Sherman »

Bass, as noted on the part and by the above players : )

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Re: Brahms German Requiem

Post by Steve Marcus »

Greg wrote:When I played this piece I used the bass tuba. A besson 983 in fact and it worked well for the piece.
Ditto.
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Re: Brahms German Requiem

Post by scottw »

imperialbari wrote:Just tested my link in a couple of browser. Only works in one, as there is a copyright disclaimer acceptance procedure (or whatever you would call it) to be passed. This link goes to a directory page, where the whole requiem is under E:

http://imslp.org/wiki/Category:Brahms,_Johannes

Klaus
Something very interesting: in the cut time portions of the tuba part [Thanks, Klaus!], there are 4 half notes per measure.I have never seen cut time written this way; is this a particularly German notation? As I learned cut time, it was as though it were written in 2/2. This notation would make it appear to be 4/2. Can anyone explain the discrepancy to me?
Thanks!
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Re: Brahms German Requiem

Post by scottw »

bloke wrote:Alla breve means, freely translated, "as the half" or "in the manner of a half". ...Maybe this helps...??

Image


Terms such as "cut time", "stinger", and "descrescendo" (as well as playing with a Dr. Beat plugged into a "Long Ranger" cranked to "11") are probably reserved for concert/marching band use. :lol:

Don't take me seriously regarding anything in subscript...' just teasing! :wink:

Not to be obtuse, but wouldn't half of 4/4 [or common time] be 2/2? With 2 half notes? I successfully took a lot of music theory to obtain my music degree and have yet to see 4 half notes pass for alla breve [or the more plebian: cut time]. I sure do enjoy learning something new, though.
scottw wrote:Something very interesting: in the cut time portions of the tuba part [Thanks, Klaus!], there are 4 half notes per measure.I have never seen cut time written this way; is this a particularly German notation? As I learned cut time, it was as though it were written in 2/2. This notation would make it appear to be 4/2. Can anyone explain the discrepancy to me?
Thanks!
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Re: Brahms German Requiem

Post by scottw »

bloke wrote:Yes, if you take the symbol mathematically literally.

At the half, though, can also be interpreted as "at the half note"...ie: The half note is the pulse, which is true of either 2/2 or 4/2. Regardless, you can look at the music and you know exactly what to do...That's all that really matters...yes?
But imagine how tedious some of those Sousa "cut-time" marches would be if they were actually "half-time"? Played by a band, of course, not an orchestra.
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Re: Brahms German Requiem

Post by scottw »

bloke wrote:think less

play more

:wink:
Now that I am good at! 8)
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Re: Brahms German Requiem

Post by ppalan »

I believe that what is commonly referred to as "cut time" actually is "alla breve", meaning that the unit of pulse is the "breve" or half note.
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Re: Brahms German Requiem

Post by T. J. Ricer »

When I did this with the Knoxville Symphony, I used my Old Besson/Boosey "Fletcher-mods" Eb (now owned by Ken Sloan). The director mentioned to me in rehearsal that "tubas in Brahms' day would probably have been smaller" - I took that as a nice way of asking me to play a bit softer and everyone lived happily ever after. This director reportedly later told the bass trombone player, "He's probably thinks I'm an idiot, I just realized that that was a pretty small tuba, it just has a big bell." Nice when directors are paying attention!

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Re: Brahms German Requiem

Post by scottw »

bloke wrote:
ppalan wrote:I believe that what is commonly referred to as "cut time" actually is "alla breve", meaning that the unit of pulse is the "breve" or half note.
I tried to explain that, but I must not have done a very good job. :(
Aw, ya done good! 8)
[Still don't like it, though!]
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Re: Brahms German Requiem

Post by sloan »

T. J. Ricer wrote:When I did this with the Knoxville Symphony, I used my Old Besson/Boosey "Fletcher-mods" Eb (now owned by Ken Sloan). The director mentioned to me in rehearsal that "tubas in Brahms' day would probably have been smaller" - I took that as a nice way of asking me to play a bit softer and everyone lived happily ever after. This director reportedly later told the bass trombone player, "He's probably thinks I'm an idiot, I just realized that that was a pretty small tuba, it just has a big bell." Nice when directors are paying attention!

--T. J.
It's not how big they *look* - it's how big you make them *sound*.

A loyal Tubenet contributor picked up that horn, played for a few minutes, and then commented "now I understand how Fletcher got that distinctive sound". As usual with him, I'm not completely sure what he meant by that...

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This reminds me that I've let my King 2341 (it was tuned at the factory) hog all the limelight lately - I need to buff up the Eb fingerings and use the Besson on 4 July. Unless, of course, my Conn 36J's surgery is completed in time, and is a success. We usually have 6 tubas, and we don't need 6 4/4 BBb tubas - I'll try to do my bit for "diversity".
Last edited by sloan on Mon Apr 12, 2010 3:13 pm, edited 1 time in total.
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Re: Brahms German Requiem

Post by J.c. Sherman »

T. J. Ricer wrote: I just realized that that was a pretty small tuba, it just has a big bell." Nice when directors are paying attention!

--T. J.
My Boosey Eb is very offended... small indeed! :wink:

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Re: Brahms German Requiem

Post by Bob Kolada »

Are the 15" bell versions smaller overall, or just in the bell?
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Re: Brahms German Requiem

Post by imperialbari »

Just the bell, and then the leadpipe sort of equals the one of the 982 except for the small, bassbone size, receiver.

Klaus
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