No of course they don't. They would use an identical ally referred to as Gold BrassNeptune wrote:I don't know where that is made, but it is not JinBao - they do not use red brass.Lectron wrote:It has some similareties with the Thomann Bb- Tuba Model "Student"
Wessex Prague " Pocket Kaiser"
- Lectron
- 4 valves

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Re: Wessex Prague " Pocket Kaiser"
Melton 200 -=- Melton 2141 -=- Cerveny 883 Opera -=- Besson 992 -=- MPCs: 3pcs steel (Sellmansberger/Parker)
- Wyvern
- Wessex Tubas

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Re: Wessex Prague " Pocket Kaiser"
Gold brass and Red brass are quite different - Red brass is higher copper content and looks copper in colour. Picture I previously posted of Gold brass Neptune against Red Brass Cerveny clearly shows difference. I have visited Thomann when in Germany and seen what they are selling - it is Red BrassLectron wrote:No of course they don't. They would use an identical ally referred to as Gold Brass
- Lectron
- 4 valves

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Re: Wessex Prague " Pocket Kaiser"
Thanks for clearing that up Neptune
I was totally fooled by the jinbao picture of gold brass
I was totally fooled by the jinbao picture of gold brass
Melton 200 -=- Melton 2141 -=- Cerveny 883 Opera -=- Besson 992 -=- MPCs: 3pcs steel (Sellmansberger/Parker)
- ghmerrill
- 4 valves

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Re: Wessex Prague " Pocket Kaiser"
Here's a quote from a horn site (http://www.rjmartz.com/horns/) concerning the distinctions among yellow, red, and gold brass. It matches what I've seen elsewhere (except in various sales/marketing literature
):
Some people call yellow brass "gold brass", some people call red brass "gold brass", some people call some in-between alloy "gold brass". Red brass and rose brass are generally regarded as the same. The red/rose stuff is pretty soft (as expected with all that copper in it). My Cerveny 781 certainly was, as was the bell on my Holton TR181 bass trombone.
I've elsewhere seen the distinction drawn as: yellow brass, ~70% copper; gold brass, ~80% copper; red brass, ~90% copper. A "golder" color is also often achieved by using a specific lacquer.Several terms are used popularly to describe brass alloys depending on the percentage of copper content: "red" brass contains 85 to 90 percent copper and 15 to 10 percent zinc. At the other extreme is "yellow" brass with about 65 percent copper and 35 percent zinc. In between are "rose" brass (lighter red) and "gold" brass (darker yellow) which are sometimes used interchangeably with each other. The metallurgy industry uses specific terms such as Alloy C83400 (90% copper, 10% zinc) to avoid ambiguity.
Some people call yellow brass "gold brass", some people call red brass "gold brass", some people call some in-between alloy "gold brass". Red brass and rose brass are generally regarded as the same. The red/rose stuff is pretty soft (as expected with all that copper in it). My Cerveny 781 certainly was, as was the bell on my Holton TR181 bass trombone.
Gary Merrill
Wessex EEb tuba (Wick 3XL)
Amati oval euph (DE LN106J6Es)
Mack Brass euph (DE LN106J9)
Buescher 1924 Eb, std rcvr, Kelly 25
Schiller bass trombone (DE LB/J/J9/Lexan 110, Brass Ark MV50R)
Olds '47 Standard trombone (mod. Kelly 12c)
Wessex EEb tuba (Wick 3XL)
Amati oval euph (DE LN106J6Es)
Mack Brass euph (DE LN106J9)
Buescher 1924 Eb, std rcvr, Kelly 25
Schiller bass trombone (DE LB/J/J9/Lexan 110, Brass Ark MV50R)
Olds '47 Standard trombone (mod. Kelly 12c)
- Doug Elliott
- pro musician

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Re: Wessex Prague " Pocket Kaiser"
And to make it even more confusing, in the metal industry, the alloy that is 90% copper/10% zinc is known as "commercial bronze."
- ghmerrill
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Re: Wessex Prague " Pocket Kaiser"
Which is REALLY weird since, for example, no one would make a weapon out of that "bronze" and trying to put an edge on it would be an exercise in futility. The bronze I have lying around is pretty hard stuff. I thought that bronze required tin. Silly me. Apparently for marketing purposes, "commercial bronze" sounds better than "soft brass".Doug Elliott wrote:And to make it even more confusing, in the metal industry, the alloy that is 90% copper/10% zinc is known as "commercial bronze."
Gary Merrill
Wessex EEb tuba (Wick 3XL)
Amati oval euph (DE LN106J6Es)
Mack Brass euph (DE LN106J9)
Buescher 1924 Eb, std rcvr, Kelly 25
Schiller bass trombone (DE LB/J/J9/Lexan 110, Brass Ark MV50R)
Olds '47 Standard trombone (mod. Kelly 12c)
Wessex EEb tuba (Wick 3XL)
Amati oval euph (DE LN106J6Es)
Mack Brass euph (DE LN106J9)
Buescher 1924 Eb, std rcvr, Kelly 25
Schiller bass trombone (DE LB/J/J9/Lexan 110, Brass Ark MV50R)
Olds '47 Standard trombone (mod. Kelly 12c)
- Tubajug
- 5 valves

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Re: Wessex Prague " Pocket Kaiser"
That's the beauty of TubeNet! You can start a thread, but you can't really control where it goes!GvB wrote:Thanks to all for their not so very informative feedback. However I fail to see the humor
Jordan
King 2341 with a Holton "Monster" Eb bell
Eb Frankentuba
Martin Medium Eb Helicon
If at first you don't succeed, skydiving's probably not for you.
King 2341 with a Holton "Monster" Eb bell
Eb Frankentuba
Martin Medium Eb Helicon
If at first you don't succeed, skydiving's probably not for you.
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GvB
- lurker

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Re: Wessex Prague " Pocket Kaiser"
Despite the smart *** comments about sandwiches and other juvenile posts I decided to post my opinion of this tuba because I respect the people at Wessex and was very happy with their service. The horn was shipped from England and arrived in perfect condition.
It is not a light weight chintzy feeling horn, lots of heft but well balanced. Blows freely either soft or loud. The rotary valves were a bit noisy at first but with some oil in the right places they have quieted down and work very smoothly. I would choose this horn any day over my King 2341. Maybe the King was a dud from the get go but I never liked it.Especially the number one valve that no matter what I tried always seemed to start sticking in the middle of a concert.
I think this is a great horn for the money. I got the lacquer model because I liked the way it looked better than the Silver model.
My one beef is that I have a smaller hand and the thumb ring was a stretch for me. Once I got used to it though it is fine.
All in all a bargain at the price.
It is not a light weight chintzy feeling horn, lots of heft but well balanced. Blows freely either soft or loud. The rotary valves were a bit noisy at first but with some oil in the right places they have quieted down and work very smoothly. I would choose this horn any day over my King 2341. Maybe the King was a dud from the get go but I never liked it.Especially the number one valve that no matter what I tried always seemed to start sticking in the middle of a concert.
I think this is a great horn for the money. I got the lacquer model because I liked the way it looked better than the Silver model.
My one beef is that I have a smaller hand and the thumb ring was a stretch for me. Once I got used to it though it is fine.
All in all a bargain at the price.
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GvB
- lurker

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Re: Wessex Prague " Pocket Kaiser"
I've had this horn for 4 months now and every time I play it I like it even more. Free blowing, more so than my King 2341.Never liked the piston valves on the 2341. Maybe I got a bad one but the number one valve continually stuck just when I didn't need it to in the middle of a concert. I wanted a horn as close to my old MW 18 as possible without paying $ 8,000 and I believe I have found it. Bigger sound than the MW as it is a slightly larger bore and overall size. I'm happy with this horn and would not hesitate to recommend it.
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Greg Lecewicz
- bugler

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Re: Wessex Prague " Pocket Kaiser"
4 grand for it? Looks great but it should cost maybe the same as the Luzern or less cause there is way less metal in it. So why the full size is 2500 and the mini version 4000 bucks?
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Greg Lecewicz
- bugler

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Re: Wessex Prague " Pocket Kaiser"
How about adding an extra one, it should be easy with a silver one. Not good for lacquer version thou...58mark wrote:I was talking to a student of mine about that today. Looking at the Leadpipe, they could have placed the locking collar a few inches more toward the mouthpiece, and braced the remaining pipe, to give it stability with the valve section.
nice horn, terrible design
If I owned one, I would solder the dang leadpipe in place and forget about the whole removable aspect of it