Vintage Warren Deck in the NYP -- Enjoy!

[doublebuzzing]

https://www.youtube.com/watch?v=eXCNi6W9RVU" target="_blank

I've never seen this before.

13:11

[emcallaway]

What an excellent recording! Thanks for posting.

[toobagrowl]

Great video, thanks for finding it.

Deck really gets some zing out of that tuba. Looks like a M-W 2165 or the like. Sounds surprisingly bright; could be the way he is mic'ed or maybe he was using a small mpc. Either way, it fits the 'tone' of the piece pretty well

[MartyNeilan]

Deck and Harwood. That was a combo. And Mehta would let them play, too.

[UDELBR]

Great video, thanks for finding it.

Deck really gets some zing out of that tuba. Looks like a M-W 2165 or the like. Sounds surprisingly bright; could be the way he is mic'ed or maybe he was using a small mpc. Either way, it fits the 'tone' of the piece pretty well

Warren very much believed in using the entire timbral spectrum of the tuba, from "wood" all the way to "metal" (that's how he described it). Regardless of which timbre he chose, it was always clean and controlled. An amazing player and teacher.

[Wes Krygsman]

some more
Fanfare for the Common Man
http://youtu.be/FLMVB0B1_Ts" target="_blank" target="_blank

and Warren with Sam Pilafian
Fanfare for the Uncommon Woman
http://youtu.be/hnlVKC7rxdg" target="_blank" target="_blank

Amazing sound and control. Such inspiration to get back to work.

[MacedoniaTuba]

[UDELBR]

How fantastic is that?! We so rarely talk about the different tonal colors available to a player.

We wear so many different "hats" in an orchestra: sometimes a string bass, sometimes a 4th trombone, sometimes a french horn. It's important we have all those timbres in our 'tool boxes' so we can match whatever role is required.