From the NYT Obit for Barry Tuckwell...........................................
“There are a lot of people who can play loud and fast,” he told The Times in 1978. “But it is still very difficult to play one note. In fact, I would like to institute a competition — although I don’t like them — in which each participant would be asked to play only one note. The length, the dynamics would be up to the player.”
https://www.nytimes.com/2020/01/18/arts ... -dead.html" target="_blank" target="_blank
Barry Tuckwell Obit.................................
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Bowerybum
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Barry Tuckwell Obit.................................
"When the legend becomes fact, print
the legend."
the legend."
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scottw
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Re: Barry Tuckwell Obit.................................
What a great obit for a great performer. Tuckwell has been my gold standard for a horn player since I began paying attention--I love the instrument. This is especially telling in that I had Mason Jones right across the river for most of my early musical life. I can usually tell when it is a Tuckwell recording due mostly to the gorgeous sound he produced. His technical mastery was truly fantastic, too.
Bearin' up!
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Re: Barry Tuckwell Obit.................................
scottw wrote:What a great obit for a great performer. Tuckwell has been my gold standard for a horn player since I began paying attention--I love the instrument. This is especially telling in that I had Mason Jones right across the river for most of my early musical life. I can usually tell when it is a Tuckwell recording due mostly to the gorgeous sound he produced. His technical mastery was truly fantastic, too.
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
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Ace
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Re: Barry Tuckwell Obit.................................
So, that's how he did it! I heard him play, if my memory serves, the Richard Strauss Horn Concerto No. 1 with the old Oakland Symphony about 45 years ago at UC-Berkeley. I observed at the time that he didn't dump water all over the stage and wondered how he did that. The man was a wonderful player with masterful technique and pure tone.bloke wrote:I always liked the way the would "look on" (typically, up towards the mezzanine) during rest phrases.
It's my understanding that he also had some water keys and a system of strings, whereby he could let out water completely unnoticed - without the typical ridiculous-looking routine.
Ace