Hello Everyone,
I found a used York baritone horn on Mack Brass for $295. It does not appear compensating to me. For three-valve baritones, is compensating superior? If it is, how so? If there isn't that big of a difference, that will be my lifetime baritone if it doesn't play like crap. But, given that it's a York, I have high expectations.
Used Mack Brass York Baritone
- tobysima`
- bugler
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- Joined: Thu Jun 11, 2020 8:37 pm
- Location: Connecticut, U.S.A.
Used Mack Brass York Baritone
Toby Simard
Current Stable:
M&M 5V CC Tuba - Conn Helleberg 120S
Current Stable:
M&M 5V CC Tuba - Conn Helleberg 120S
- acemorgan
- bugler
- Posts: 33
- Joined: Thu Oct 04, 2018 5:17 pm
- Location: Tucson, where tacos are real
Re: Used Mack Brass York Baritone
If you are not yet a member, I would suggest joining Dave Werden's forum at dwerden.com. He has a lot of information about compensating instruments, including an interactive video. I know I am oversimplyfying, but a 3 valve compensating system addresses intonation, where a 4 valve extends range (and improves intonation). Check out Dave's information.
Previously:
Reynolds TB-14
Mirafone (yes, with an F) 186
Currently:
Wessex Dolce Tenor Tuba
Reynolds TB-14
Mirafone (yes, with an F) 186
Currently:
Wessex Dolce Tenor Tuba
-
- 3 valves
- Posts: 342
- Joined: Thu May 21, 2009 12:24 am
Re: Used Mack Brass York Baritone
It's definitely a non-compensating baritone.
That tightly-wrapped main tuning slide in the leadpipe concerns me--it's possible that this baritone could really sing in the high registers, but at the expense of a stuffy and weak low range, which is where the compensating system would kick in.
Being from 1913, it could be built to be in tune with itself at anywhere from A=435 to A=455, so be prepared to deal with those vagaries.
That said, you won't really know for sure how even the response and tuning is from top to bottom until you test-play it.
That tightly-wrapped main tuning slide in the leadpipe concerns me--it's possible that this baritone could really sing in the high registers, but at the expense of a stuffy and weak low range, which is where the compensating system would kick in.
Being from 1913, it could be built to be in tune with itself at anywhere from A=435 to A=455, so be prepared to deal with those vagaries.
That said, you won't really know for sure how even the response and tuning is from top to bottom until you test-play it.