Stars and Stripes
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Chuck Jackson
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Arkietuba
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I know that's what was notated on the music but I believe Sousa PERFORMED his marches at around 130...at least that is what I was told by a very famous composer/conductor (Stephen Mellilo)Lew wrote:130 sounds more like a Karl King tempo. I think Sousa was more like 110-120.Arkietuba wrote:I've heard that when Sousa performed his marches that the tempo was around 130-134 bpm.
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8vabasso
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- Chuck(G)
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Offhand, I'd say that Sousa conducted marches somewhere between 68 and 220 bpm.Arkietuba wrote:I know that's what was notated on the music but I believe Sousa PERFORMED his marches at around 130...at least that is what I was told by a very famous composer/conductor (Stephen Mellilo)
If I were ever to depend on someone's word abuot Sousa tempi, it'd be Keith Brion's, who has made a career of Sousa's music.
But we don't have to take anyone's word. Get a copy of Delos DE 3102 "All American Sousa". It contains recordings of 7 marches conducted by Sousa himself. One (S&S) is from a radio broadcast in 1929, two years before Sousa died. The remainder are acoustic recordings made between 1916 and 1923. The 1929 broadcast of Stars and Stripes is around 124 (as contrasted with the 1901 version at 118). The remainder vary between about 116-120. Is it reasonable to think that Sousa conducted at different tempi? Why not?
But 130 sounds excessive unless it's Sousa on drugs.
- windshieldbug
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Albertibass
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If you have a recording with Sousa conducting, it would be extremely rare. Having spent a few years doing research with researcher Paul Bierley, he mentioned many times that it wasn't really Sousa conducting. I cannot rememebr why that was, but it was.Chuck(G) wrote: This isn't with Sousa directing--somewhere I've got one of Keith Brion's New Sousa Band CDs with a 1929 performance of the same with Sousa conducting; I'll check it out, but I don't think it was 124 either.
Bryan Doughty
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Sousa hated recording. He thought recording technology would be a passing fad, or of limited use, and noone would replace a live concert with a recording. So most of the band's recording sessions he turned over to Arthur Pryor, who thought recording technology was the thing of the future.
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- Chuck(G)
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There was the 1929 radio broadcast and the 3 Edison discs. That's the full extent of Sousa's recorded rep, according to Brion. There were many "Sousa Band" recordings of various composition and direction, but only those 4 discs by the man himself. The 1929 one has a spoken address by Sousa on one side.BVD Press wrote:If you have a recording with Sousa conducting, it would be extremely rare. Having spent a few years doing research with researcher Paul Bierley, he mentioned many times that it wasn't really Sousa conducting. I cannot rememebr why that was, but it was.
- NickJones
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The Fine Arts Brass series , have Stars and Stripes as a quintet with the picc line written as the tuba part ( in the trio section) , going back to different tempos for US Marches , we have played a few alexander , Kark King , JJ Richards , Sousa etcJonathantuba wrote:Well, I have now managed to get hold of the piccolo part!
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Now all I need to do is learn to play it and persuade the conductor to let me - I think the latter may be the more difficult![]()
Melody Shop - tempo around 120
Barnum and BailiesFavourite , Belfords Carnival , The Waltonian , Midwest - tempo from 160 - 180
Belle of Chicago , Washington Post , Liberty Bell , Sempre Fi - around 110-120
the only exception to the rule is we played the Thunderer always at 160+
Nick Jones
Wales UK
Wales UK