I have not worked with Tric or Perc in a long time and I have missed them on occasion but having had a bad experience long ago with a large vapor degreaser explosion followed with a nasty fire the explosion created, I manage to subdue my nostalgia for the days that degreasing was performed with ease and relative simplicity. Because of the laws, I am forced to use very old techniques that work well enough but are a real messy pain in the backside. Nuff said about that.
WARNING: more detailed technical crap that you probably will find of little or no value, unless you are a brass repair geek.
Back in the day... When I worked in a silversmith shop and a few plating facilities. We did spot plating over the large immersion tanks using modified artists brushes with copper, silver and gold anodes fastened to them. The anode had a wire soldered to it which connected to the anode bar on the sides of the tanks. We used the brushes (sometimes sponges) to do spot plating or touch-up work. I applied this same process to the spot plating I do in my shop today. I use JNT copper and silver plating solutions which are chloride based and short of stinging like the dickens when you get it in a cut, are relatively safe to work with, unlike cyanide solutions. I also use Vigor copper and nickel plating solutions, they are mild acid based and also safe to work with but really only work well for immersion plating. Nickel does not spot plate worth a damn and attempting to do so is a waste of time. Note: For all you guys who think you can replate a valve in a beaker, forget it. Attempting to plate valves with this stuff is an even bigger waste of time. I use copper and silver chloride for spot repairs on solder joints ONLY.
The following tips might be of use to some, probably old hat to others. The Repair Tech first cleans and solders the break, lightly polishes the area trying to avoid removing as little plate as possible. The area should be cleaned thoroughly, NO soils of any kind should remain, NONE!!! [Cleaning approach: Wet surface with Ferrees cold cleaner, gently scrub with soft lint free cloth, rinse in cold water, gently scrub with lint free soft cloth soaked hot water and Dawn dish washing liquid, cold water rinse, warm water rinse, cold water rinse, blow dry with filtered compressed air, repeat until water sheets off the surface.] The solder area should first be plated with copper because the silver will often not plate properly on the dissimilar metals. It will want to adhere to the silver and the brass but resist the lead/tin at the edges of the solder joint. Copper plate will readily cover lead/tin, brass and silver all at once. The silver will then easily cover the coppered areas. If the instrument is worn at the points of contact, forget spot plate, as spot plating won't last long enough to make the expense of the work worth while. You can however partially dismantle the horn, repair, sand polish and properly immersion plate the worn sub-assembly and reassemble using the touch up to conceal the solder joints. Works great with tubas and Euphoniums, saves time and shipping costs and is a way to avoid the unwanted complete overhaul project but still allowing for a really decent looking repair. Spot plating is not even close to the thickness and durability of conventional immersion plating but it works great at touch ups around those little solder areas provided one makes the effort of being neat and tidy with there soldering and polish work.
I suppose I will have to give the rub-on stuff another try someday. Its probably an okay application for big bare spots on sousaphone bells that were improperly repaired and over-buffed by some "skillet-head"

. In my opinion, the repair shop that works on a lot of silver plate should really consider investing in a decent rectifier, anodes, brushes and plating solutions, if they really want to deliver good quality, lasting repair to there silver finishes. A little studying up and practice wont hurt ether. The equipment I have, has been with me for about fifteen years and still works great. As I recall, it was not as expensive as one would think. Less then $500 and worth every copper plated penny. Now that I have that out of my system, I will go back to my bench and try to be more productive.
Daniel C. Oberloh
Oberloh Woodwind and Brass Works
Saving the world, one horn at a time...