Dang...Couldn't agree with you more. I guess I'll just add that a few artists (Roger Bobo, Jim Self) use Yamaha's, but they are sponsored by them, so what do you expect?Rick Denney wrote:Sheesh.MW215588 wrote:I am doing a survey to see what horns do the pros happen to play on such as what CC and F's or other. Please, this is a real survey so keep all sarcasim to yourself or post on something else. Thank You.
If you really want to know this in any systematic way, then get on the phone and ask them. Any less is no longer systematic, and you might as well just be asking for a Tubenet Freak Jury recommendation.
Most of the pros I have seen come from one of two camps. Those still in the Alexander camp play...Alexanders. Wade Rackley is a poster here who represents that group. Some in that camp prefer Rudolf Meinl tubas, of which the 5/4 is the legendary big tuba.
Most pros are in the Yorkophone camp, however. They play Yorkish instruments, and those seem to be distributed among the range of options. Mike Sanders plays a Yorkbrunner, Gene Porkorny plays THE York (his own BAT is a Yorkbrunner), Dave Kirk and Jay Bertolet play Nirschls (as did Floyd Cooley), Matt Good plays a 2265 (or a 2165 modified similarly--I forget which), Lee Hipp plays a Neptune, Alan Baer plays a Gronitz PCK (at least I think he still does), Michel Moore plays an old Holton, and so on. Some players are in orchestras that suggest somewhat smaller tubas, either because of the maestro or because of the hall, and play instruments like the Meinl-Weston 2000 (Ron Bishop, Chris Hall--though he also plays an HB-21--, etc.). I'm sure there are still Willson 3050's being played. Most Yorkophone players also have something smaller, and I can't think of a single good 4/4-5/4 CC tuba that isn't in at least some pro's arsenal, including Miraphone 1291, M-W 2000 and 2155, B&S PT-6, Gronitz PCM, Conn 56J, and so on.
The premiere military dudes play Yorkophones, too--usually provided for them. Their personal instruments run the gamut. I bought my Bb Holton from a military pro whose main big tuba is a Yorkbrunner.
Nearly all orchestra pros I've seen play B&S F tubas. A few play the range of other options, including Hirsbrunner, Willson, Miraphone, Gronitz, and Yamaha.
I've played a few of the tubas owned by top pros, and didn't find them particular special compared to what I own. I have concluded that the difference between me and them isn't the equipment. It must be the mouthpiece.
Rick "who, if an aspiring orchestra pro not wanting to suffer an equipment disadvantage, would probably buy a Gronitz PCK and a B&S Symphonie" Denney
Tubaguy9 "Who would use the tuba from a sponsor"

