Unexpected Compliments

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Toobist
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Post by Toobist »

Great topic!

Elephant's really spoke to me because I get the same way about my playing if I haven't experienced something really positive for a while. The best compliments I've had were when I wasn't present and I'm told that my colleagues were talking about me and never really expected me to know about it. Here is one of my most positive compliments:

A few years ago I got called to play in one of Canada's more major orchestras with a mere 2.5 hours' notice. My friend, mentor and former instructor (all the same guy - not 3 calls :wink: ) called and woke me up.

"Hey Al, you wanna play the Miraculous Mandarin today?"

I actually had never spent any time on that particular excerpt and, in fact, had never heard it. I knew it was Bartok so I figured it was probably challenging.

"Is it hard?" I asked.

"It's Bartok...yeah." he said, confirming my suspicions.

This is when I started thinking... If I say no, the chances of my getting called by this orchestra diminishes in the future. If I say yes and screw it up royally, I'll definitely not get called again.

"Sure," I said before I could talk myself out of it, "When are rehearsals?"

"Dress is at 10:30 this morning."

I looked at the clock and realized I had two hours to get my horn, tails and self onto the subway and get downtown.

LONG STORY SHORT....

I sight-read the rehearsal, spent a few hours woodshedding at the hall after the dress and then played the concert.

Weeks later, a colleague of mine and I were trying to get a large brass ensemble together for a one-time concert that wasn't going to be paying all that well. My colleague approached the new hotshot horn player that just recently one a job with that orchestra and after some hmmming and haaahing asked, "Who's playing tuba for the group?" After my colleague replied, the hornist said, "I know that name. Did he come play the Bartok with us last month?" After hearing the answer, he replied, "I'm in."

I'm very thankful to have had some similar compliments recently from players that I normally don't play with - including some Jazz musicians. Elephant is so right! When you're struggling with $$$ and you're having trouble justifying all of the sacrifices that are involved in promoting yourself as a musician (and especially a tubist), one can get very weighed down with doubt. When somebody, especially somebody you respect as a musician (although all compliments are more than welcome, takes the time to positively comment on your playing it makes a difference more profound than people may realize.

Thanks for reading this far if you have!
Al Carter
Kitchener, Ontario
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Post by bearphonium »

Mine is on a much smaller scale...
I started playing the tuba in March this year, in a New Horizons band. I was looking for a tuba, and one of the local music shop guys is a euph player, and "gave me some names". I called around, and connected with Jim Newell, whose unofficial title is Tuba Meister. (He is 83, and has played the tuba for 69 years). He had a line on a four-valve Meinl hybred, but getting the tuba to Eugene fell through. He offered me a chance to borrow a sousaphone, but by that time I had connected with fpoon, and bought a York 3/4 from him.

The bands I'm in played in three off the "summer concerts in the park", each of the first two weeks, then the week before Labor Day. After the labor day concert, Jim sent the band manager a $100 donation to the band, and a note that said "tell that tuba player to call me; we need her for Tuba Carol Christmas." BIG HEAD the rest of rehearsal :D

Short and long, I sat with Jim and his son Bruce (who played a helicon) at the Tuba Carol Christmas last weekend, and both of them gave me some good feedback on my playing.
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Post by Steve Marcus »

It's always gratifying to receive the "foot shuffle" from your colleagues...
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Post by tubatooter1940 »

This afternoon John Reno and I played a concert at Women's and children's Hospital in Mobile. Those sweet babes were so sick and they still clapped and sang along.
As we were leaving, we stopped at the men's room. No place to stow my tuba so I took in in with me. John asked me to give him a moment to get out to the entrance and then blatt on my tuba. I did. The tile was very bright accoustically and as I went out the men's room door I noticed the nurses at the nurses station across the hall laughing hysterically. John said he heard me 100 feet away.
I consider that somewhat of a compliment. :oops:
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Post by windshieldbug »

Steve Marcus wrote:It's always gratifying to receive the "foot shuffle" from your colleagues...
The first pro concert I played, I asked the bass trombonist what I had done to anger everyone so much... :oops:
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
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Post by Lee Stofer »

About a month ago I had a performance with the Howard Schneider Orchestra, my first with this big band from Wisconsin. I was supposed to play string bass, and tuba as appropriate.

Playing for the first time with this band, I was just striving to be competent and not sound like a sub, so I was quite surprised when an older couple sought me out after the concert. The couple seemed rather excited, the man telling me that they had followed big bands for years, and had never heard such good tuba- and bass playing. This was totally unexpected, and such a nice end to a somewhat stressful evening.
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Re: Unexpected Compliments

Post by tbn.al »

tuben wrote: Now, since tbn.al has established I stink and only my fine tubas make me sound good, this compliment is not going to my head!

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Post by Wyvern »

I was playing Wagner Tristan & Isolde earlier this year which was followed by Fountains of Rome. I had my Neptune 6/4 for the Fountains (a definite one for using the big tuba) and my Melton Eb for the Tristan (the BAT being too heavy in my opinion for the Prelude high lyrical passage).

I would normally have used my Eb for all the Tristan, but because I had the Neptune there beside me, I decided to try using it for the "Death Love" passage to add extra depth.

In the interval an old gentleman came up to me and said how dramatic it was when I came in with my big tuba - it really added to the performance which he'd enjoyed more than one he had heard by a "top" London orchestra the previous week :shock: :D
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Unexpected Compliments

Post by Tubanapoleon »

Well, I was competing in a competition out in Pasadena, with a panel of judges consisting of Brass, woodwind and string players (for the final round, at least), and I ended up winning the brass division. Anyways, when I got my adjudication sheets back, one of the string player judges (Violin, I think...) said I had a warm, "Yummy" sound. I appreciated the compliment and feedback, but I was left to wonder what he/she meant by Yummy...
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Post by Tuba-G Bass »

While not for my tuba playing, the Bethlehem Moravian trombone choir recently played for a funeral and
I had two people come up and comment on my Miraphone Contrabass Trombone,
it's sound and appearance intrigued them, plus one was a former cornet player! :lol:
Ditto last saturday when we played at a Farm Museum in a one room schoolhouse,
Of course if's better when it's a fellow musician
saying Wow, nice sound on that piece! :D
Still, it's makes your day!
Cheers,
Paul Lewis
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Post by David »

Neptune wrote:I was playing Wagner Tristan & Isolde earlier this year which was followed by Fountains of Rome. I had my Neptune 6/4 for the Fountains (a definite one for using the big tuba) and my Melton Eb for the Tristan (the BAT being too heavy in my opinion for the Prelude high lyrical passage).
Those Neptunes are crazy horns. Shakes the bloody ground
What one man can do another can do
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