Pat's right - I've got a helicon and a sousaphone and they are just different instruments.
The helicon doesn't really suit trad jazz or New Orleans stuff (not to mention how knackering it is to play a big helicon in that style) and the sousaphone sucks for playing Balkan music (even though it's an easier blow).
They could certainly do a better job of designing helicons for people who have necks.
4 valve sousys ?
- PaulTkachenko
- 3 valves

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Re: 4 valve sousys ?
Yamahas YFB621, YBB621 & YEB 631
Conn 20K, Bubbie, Tornister & Amati Bb helicon
Perinet ophicleide, Kaiser serpent, YEP 321 Euphonium, King 3B bone, YBL612II bass bone, Meinl flugabone
Double bass, bass guitar, bass sax
Conn 20K, Bubbie, Tornister & Amati Bb helicon
Perinet ophicleide, Kaiser serpent, YEP 321 Euphonium, King 3B bone, YBL612II bass bone, Meinl flugabone
Double bass, bass guitar, bass sax
- Donn
- 6 valves

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Re: 4 valve sousys ?
The Eb presents the best (or worst?) example of the complaints above about wrist ergonomics, because it's a tighter fit. The F is an open loop, so different deal. (Disclaimer, I haven't seen a recent Cerveny label Eb, and haven't heard from anyone who has, but I have a somewhat older Eb from same place.) It works OK for me, but isn't ideal. The neck vs. leadpipe problem is no different, but might be mitigated a little by the lighter weight.Michael Grant wrote:P.S. The Eb would be nice, too!
It would be a shame to entirely write off the helicon for New Orleans or traditional jazz. I don't know if it's this way so much today, but I think a few years back that was the main use for helicons in the US. Meanwhile, the Balkan influenced bands I've seen in the US use sousaphones.
- PaulTkachenko
- 3 valves

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Re: 4 valve sousys ?
I'm totally up for helicons in trad jazz and New Orleans and sousas in Balkan music - and it can totally work (and I do it myself sometimes for no other reason than I just feel like it). I guess I just prefer the obvious choices soundwise.
They are really different beasts though.
They are really different beasts though.
Yamahas YFB621, YBB621 & YEB 631
Conn 20K, Bubbie, Tornister & Amati Bb helicon
Perinet ophicleide, Kaiser serpent, YEP 321 Euphonium, King 3B bone, YBL612II bass bone, Meinl flugabone
Double bass, bass guitar, bass sax
Conn 20K, Bubbie, Tornister & Amati Bb helicon
Perinet ophicleide, Kaiser serpent, YEP 321 Euphonium, King 3B bone, YBL612II bass bone, Meinl flugabone
Double bass, bass guitar, bass sax
- David Richoux
- 5 valves

- Posts: 1957
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- Location: San Francisco Bay Area, mostly. Also Greater Seattle at times.
Re: 4 valve sousys ?
Old American helicons (piston) work very well for New Orleans or traditional jazz. Allan Jaffe played almost nothing else, but his son Ben can be seen operating a Sousaphone (or even Double-Bass on occasion) with the current Preservation Hall band. There are also many helicon driven bands at Sacramento Jazz Fest (now called Sacramento Music Festival, BTW.)Donn wrote:It would be a shame to entirely write off the helicon for New Orleans or traditional jazz. I don't know if it's this way so much today, but I think a few years back that was the main use for helicons in the US. Meanwhile, the Balkan influenced bands I've seen in the US use sousaphones.Michael Grant wrote:P.S. The Eb would be nice, too!
- PaulTkachenko
- 3 valves

- Posts: 372
- Joined: Fri Oct 17, 2008 3:34 pm
- Contact:
Re: 4 valve sousys ?
Agreed on this - those helicons would work much better than the Czech instruments.
Yamahas YFB621, YBB621 & YEB 631
Conn 20K, Bubbie, Tornister & Amati Bb helicon
Perinet ophicleide, Kaiser serpent, YEP 321 Euphonium, King 3B bone, YBL612II bass bone, Meinl flugabone
Double bass, bass guitar, bass sax
Conn 20K, Bubbie, Tornister & Amati Bb helicon
Perinet ophicleide, Kaiser serpent, YEP 321 Euphonium, King 3B bone, YBL612II bass bone, Meinl flugabone
Double bass, bass guitar, bass sax