sackbut

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corbasse
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Post by corbasse »

Chuck(G) wrote:I've heard from trombone-playing friends who have tried antique sackbuts that most of the "authentic" samples have very leaky slides
I don't know that much about sackbuts, but I do know original natural trumpets are quite leaky. They were built like that on purpose, because, in combination with the more irregular handmade tubing, it makes it easier to bend notes like the 11th and 13th partial into place.
Considering how they made the slides, I'm surprised they can be somewhat air tight at all ;)

windshieldbug wrote:
corbasse wrote:They do use a non-equal temperament sometimes, something which an untrained ear could interpret as out of tune
Well, something a non-programmable tuner would interpret as out of tune. I find many of the "non-equal" temperments sound more in-tune, unless one gets to far off-tonic
Unless you have a piece in something like E flat minor, in meantone tuning, where all the adjustments made to make the normal keys sound better collide :shock:

On a similar note, on the same internet station mentioned before I heard a performance of the Music for the Royal Fireworks, where the brass played without correcting any notes. That was a bit too much for me, even though I can listen to (french) hunting horns, (press play and do not adjust your audio ;)) without a problem.
It was probably the overly enthousiastic rendition of some of the players in contrast with the pretty playing violins which was a bit too much. :D
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corbasse
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Post by corbasse »

Mudman wrote: I do enjoy older systems of intonation, especially in pieces written to capitalize on wolf tones. However, there is no excuse for intonation that is just plain bad caused by lack of control over instruments, as is often the case in early-music performances in the US. Bad attacks and ensemble problems sound bad on any instrument, regardless of lineage.

There are some amazing performers who use early instruments. I'm just playing Devil's advocate.

Tone colour found in early instruments can be enchanting. Even so, for the most part, instruments were improved for a good reason. My personal taste is not to listen to much music performed on period insturments unless it is done well (haven't had the opportunity to hear much great playing in the US cities that I have lived in). I get a kick out of saying "you wouldn't want your doctor to operate on you using vintage surgical-instruments, would you?" :P
Maybe that's the difference. I studied an lived in some of the places where the early music movement is really big, and I can see and hear a lot of the top performers on a regular basis, so I tend to forget there are also some less than stellar performers out there.

I do agree instruments improved for a reason, but I sometimes wonder how much is just change instead of improvement. In the struggle for more volume in the course of the 19th and 20th century a lot on the side of tone colour has been sacrificed. It's for instance much, much easier to get a wind section with 18th century instruments to blend and balance than a modern one. (That is, when you have competent players ;))

Maybe I wouldn't want my surgeon to use vintage instruments on me, but they've gone back to using leeches and maggots with great succes. ;)
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Chuck(G)
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Post by Chuck(G) »

Mudman wrote:There were some excellent slides made that were octagonal. Instead of producing round tubing, it was easier to hammer a sheet of brass into an octagonal shape. Some of these slides still work and play well.

Many sackbut slides were held together with beeswax and string so that the performer could take them apart for transportation. Could you imagine aligning such a slide?
Not to mention removeable leather-lined flat braces! I'd think that the last thing a player would want under such an arrangement woiuld be a precision-fit slide (i.e., it'd have a tendency to jam if the whole affiar were the least bit out of kilter).
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MaryAnn
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Post by MaryAnn »

Mudman wrote:
There were some excellent slides made that were octagonal. Instead of producing round tubing, it was easier to hammer a sheet of brass into an octagonal shape. Some of these slides still work and play well.
Octagonal. Fascinating! I'd love to hear an instrument that was constructed entirely of octagonal tubing....!! The experimental physicist in me is wriggling at that thought.

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Post by punk_tuba »

its a renaissance pre-cursor to the trombone.

i was learning about it tonite in my music history course.
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