Well, I'm probably going to regret saying this, but... Yesterday evening at Brass Band rehearsal we started with a full complement of basses but were short on cornets. I played second cornet for the first half of the rehearsal. By break the cornet section had filled out and I went back to my EEflat bass. Within about five minutes I had made the following observations.
-My cornet's valves are silky smooth and dead quiet in operation. My tuba's valves constitute an adjunct to the percussion section. There's probably a reason other than bad Karma that I sit next to the drum kit.
-My cornet plays in tune with minimal effort; an occasional goose to the third valve slide for 1-3 combinations is required but that's it. No alternate fingerings, even at the eighth partial and beyond. My tuba requires about five "normal" alternate fingerings. It also is happier when I make some adjustments based on the key signature (i.e. second valve slide out about 3/8" if the key is Dflat or flatter). Our section contains some pretty fair players but if we are all playing concert Gflats there is going to be a bit of adjustment going on.
I enjoy playing music on both instruments. I guess sometimes I feel a bit silly that I have to "negotiate" so much more with the tuba to make it happen.
-By the way, my cornet has no equivalent to the Besson combination strap holder/demasculator protruding out of the bottom bow.
