I sit next to a King 2280, it sounds great and I don't hear any intonation problems. I'm not sure how much credit to give to the horn. The player/horn combination is great.
The King isn't compensating so it would be similar to a Yamaha 321. If you like the Wilson try a Yamaha 642 or 842, they are compensating.
Looking for a Euphonium
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I hate to make long posts so I won't.
I play a student horn and i am getting a pro horn myself. I have played the KING 2280 and I loved it for the price anyway (if you dont want a compensating horn, which you might since you are in university). The KING has superior intonation and a very solid sound................it was great, not much wrong with it. If there is it will be with the 4th valve because i never used it seeing im used to 3 valves.
To let you know, all pro compensating horns have the 4th valve on the side (unless its 3v comp. blah blah not made anymore). I am not sure about the price but all pro horns that are extreme pocket burners like the Hirsburnner Stealth. You should also try out the Yamahas as mentioned, I enjoyed the 642, It was Ok/pretty good for a pro horn if that makes any sense. I also tried a Besson 968 and didnt like it but hey a lot of people do. So try the Besson 967 (or 968, or both of course), the Besson Prestige horns.......the Yamahas, the Meinl Weston 450 (its a lot cheaper i believe)...........Im not sure how the miraphones are but those are a few brands should consider.
I play a student horn and i am getting a pro horn myself. I have played the KING 2280 and I loved it for the price anyway (if you dont want a compensating horn, which you might since you are in university). The KING has superior intonation and a very solid sound................it was great, not much wrong with it. If there is it will be with the 4th valve because i never used it seeing im used to 3 valves.
To let you know, all pro compensating horns have the 4th valve on the side (unless its 3v comp. blah blah not made anymore). I am not sure about the price but all pro horns that are extreme pocket burners like the Hirsburnner Stealth. You should also try out the Yamahas as mentioned, I enjoyed the 642, It was Ok/pretty good for a pro horn if that makes any sense. I also tried a Besson 968 and didnt like it but hey a lot of people do. So try the Besson 967 (or 968, or both of course), the Besson Prestige horns.......the Yamahas, the Meinl Weston 450 (its a lot cheaper i believe)...........Im not sure how the miraphones are but those are a few brands should consider.
- iiipopes
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The top 3 guys in my community band have, in order, a new Prestige, Sov, & new M-W. Each sounds equally good with the signature mellifluous tone a great euph gets. Try them all. Your milage may vary, and expect to invest heavily.
Jupiter JTU1110 Giddings Taku (2nd Generation)
"Real" Conn 36K Conn Helleburg
"Real" Conn 36K Conn Helleburg
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There's a Willson 2900 for sale that was just posted on the 'SmartGroups' forum. Here's the link--but you'll have to join or register to see the ad. From what the seller says, it's 20 years old in great shape with a tiny dent on the small tuning slide for the third valve (since he said 'small' slide, I take it he means the compensator side, but not sure). Also, the silver is worn off a little where his right thumb touched the 1st valve. (It will have a European size mpc receiver I'm sure). Comes with Schilke 51D mpc. He's asking for $4000 (includes shipping).
http://www.smartgroups.com/ads/ads.cfm? ... 106&AdID=2
If you can't see the ad, his email addy is:
kendall_ann_allen<at>hotmail.com.
http://www.smartgroups.com/ads/ads.cfm? ... 106&AdID=2
If you can't see the ad, his email addy is:
kendall_ann_allen<at>hotmail.com.
Miraphone 5050 - Warburton BJ/RF mpc
YEP-641S (recently sold), DE mpc (102 rim; I-cup; I-9 shank)
Symphonic Band of the Palm Beaches:
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
YEP-641S (recently sold), DE mpc (102 rim; I-cup; I-9 shank)
Symphonic Band of the Palm Beaches:
"Always play with a good tone, never louder than lovely, never softer than supported." - author unknown.
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