quintet tuba dilema

The bulk of the musical talk
Post Reply
User avatar
Chuck(G)
6 valves
6 valves
Posts: 5679
Joined: Fri Mar 19, 2004 12:48 am
Location: Not out of the woods yet.
Contact:

Post by Chuck(G) »

How about having your entire quintet play before a critical audience and deciding then?
User avatar
windshieldbug
Once got the "hand" as a cue
Once got the "hand" as a cue
Posts: 11516
Joined: Tue Mar 01, 2005 4:41 pm
Location: 8vb

Post by windshieldbug »

5. Stick with the one you love the most AND enjoy making music with your friends!

(in the end, THAT'S what you really want to record!)
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
User avatar
Steve Inman
4 valves
4 valves
Posts: 804
Joined: Fri Mar 19, 2004 11:48 am

Post by Steve Inman »

Just recorded myself playing 3 horns:

Yamaha Eb (YEB-381)
Willson Eb (3400 "Erickson")
Conn 56JCC
(Conn Helleberg mpc for all 3)

One mic was about a meter away -- 45deg in front/overhead
A second mic was about 20 meters away -- 4 meters up on a side wall of the church auditorium (standard "old fashioned" layout for 250 person room -- longer than wide, high ceiling).

It was very difficult to hear any difference between these three horns, so although the distant mic did add some room ambience, the close mic was predominant in the mix.

If I ever do this again, I will move my "close" mic to the distance of a typical audience member -- probably about 5 meters away, or more.

I now suspect why Mr. Dallenbach has such a large sound on all of the CB recordings with his YCB-621 -- mic placement can certainly help!

Cheers,
Steve Inman
Yamaha YEB-381 Eb
Conn 56J CC
Willson-Marzan CC Solo Model
Kokomo Chamber Brass
Post Reply