Swapout

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MaryAnn
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Post by MaryAnn »

Ok, stupid question. Attending the last tuba/euph recital in the local Octubafest, I got to listen to a guy wail on what appeared to be a YFB 621.

So, tuba customizers, is it "impossible" to yank the piston set out of, for example, the above F tuba, and insert a set of rotors? Not ever having seen the wraps side by side I'm clueless as to the impossibility or the whyfors of such impossibility.

Separate question: would most people choose to play the Effie suite on a large CC tuba? I'd think that was a no-brainer for a bass tuba, after hearing it at the same concert. Eb in particular....lowest note I remember hearing was a G below the staff, and then that ending note of C below the staff could cause a rotary F player to be nervous all the way through to the end, but an Eb player could just rest easy.

MA
Mark

Re: Swapout

Post by Mark »

MaryAnn wrote:Ok, stupid question. Attending the last tuba/euph recital in the local Octubafest, I got to listen to a guy wail on what appeared to be a YFB 621.

So, tuba customizers, is it "impossible" to yank the piston set out of, for example, the above F tuba, and insert a set of rotors? Not ever having seen the wraps side by side I'm clueless as to the impossibility or the whyfors of such impossibility.
Anything's possible. Is it cost effective? I don't know. Have you tried a Miraphone Firebird? It's a little bigger than the 621 and your 182, but it is still a small F tuba.
MaryAnn wrote:Separate question: would most people choose to play the Effie suite on a large CC tuba?
Everytime I have seen it performed an F tuba was used.
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MaryAnn
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Re: Swapout

Post by MaryAnn »

bloke wrote:
MaryAnn wrote:...that ending note of C below the staff could cause a rotary F player to be nervous all the way through to the end...

MA
To which player are you specifically referring?
None in particular. I haven't played any tuba to speak of for a couple of years, but I remain an interested bystander. My piston-to-rotary conversion question is just the engineer brain talking to itself.

So, no, I'm not still looking for the perfect tuba for myself....the 184 CC I have is really the best fit I'm going to find for a contrabass (mini one, but still that range) and I don't have any reason to play bass tuba anywhere anyway. I still drool over the occasional offering though. I'm playing horn in a couple quintets and a concert band, and spending my practice time on oboe. To quote a friend of mine, the oboe itself is fine but it is the ding-blasted reeds that are the problem.

MA
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Re: Swapout

Post by windshieldbug »

MaryAnn wrote:To quote a friend of mine, the oboe itself is fine but it is the ding-blasted reeds that are the problem
... and to quote a friend of mine, the oboe itself is fine, the reeds are fine, in fact, everythings fine until you actually have to use one... :shock: :D
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Re: Swapout

Post by jonesbrass »

MaryAnn wrote:Separate question: would most people choose to play the Effie suite on a large CC tuba? I'd think that was a no-brainer for a bass tuba, after hearing it at the same concert. Eb in particular....lowest note I remember hearing was a G below the staff, and then that ending note of C below the staff could cause a rotary F player to be nervous all the way through to the end, but an Eb player could just rest easy.

MA
Hey, MaryAnn! Interesting question. Alec Wilder was a good friend of Harvey Phillips, and I've heard that he played 99.9% of everything on CC, so I'd imagine his premiere would have been on CC tuba.
As far as the stuffy low C on bass tuba, I really can't relate. I think there are definitely at least two parts to that equation: the horn and the player.
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MartyNeilan
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Re: Swapout

Post by MartyNeilan »

jonesbrass wrote:Alec Wilder was a good friend of Harvey Phillips, and I've heard that he played 99.9% of everything on CC, so I'd imagine his premiere would have been on CC tuba.
FWIW, most of the CC's that HP played are probably comparable to many of today's 6/4 F's (notwithstanding the low C).
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Post by eupher61 »

Parts of Effie are easier on F than CC; some, just the opposite, from a pure fingers perspective. Well, to some of us, at least, that's the case. Ideally, there should be no problem. But, given the realities of partials (and full set dentures :roll: ) parts of it just hang better on one or the other.
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Post by MikeMason »

Concerning the range of the piece, I once heard the name effie was indicative of the range.Low f to high e. f e. f e. fe. effie.....good story anyway....
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Re: Swapout

Post by OldsRecording »

windshieldbug wrote:
MaryAnn wrote:To quote a friend of mine, the oboe itself is fine but it is the ding-blasted reeds that are the problem
... and to quote a friend of mine, the oboe itself is fine, the reeds are fine, in fact, everythings fine until you actually have to use one... :shock: :D
Actually, I'd think that oboe and tuba would be a good combination, because don't oboists eventually go insane from all of that air pressure building up inside their heads anyway? Playing tuba after a long practice session on oboe would alleviate that, wouldn't it? :lol:
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keegan watson
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Post by keegan watson »

The valves on the 621 are pretty nice so I wouldn't change them

I am/have played the effie suite on both F and CC I don't think one is harder than the other just different
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