The Gregson for Tuba

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passion4tuba
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The Gregson for Tuba

Post by passion4tuba »

If one was to play the entire Concerto, what keyed tuba would be most suitable? I have seen some play it on an E flat or F, and others on a C, then still others who switch from a C to the aforementioned keys after the first movement....
BB flat Mira 186
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TexTuba
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Re: The Gregson for Tuba

Post by TexTuba »

:tuba:
Last edited by TexTuba on Tue May 13, 2008 9:33 pm, edited 1 time in total.
tubasinfonian
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Post by tubasinfonian »

The thing was written for an Eb tuba in mind, as Gregson is an English composer.

Personally, I think the sound of an F tuba is too light, and a BBb tuba is just insane due to the range. So, I vote for CC or Eb.

That's just an opinion and I'm sticking to it. :D
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Post by Wyvern »

I am practicing on my Melton Eb for forthcoming performance. However, I am sure it would work on a 4/4 CC - just require more effort.

It was originally written for John Fletcher to play with brass band, so a Besson/B&H EEb would no doubt have been in the composers mind.
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Re: The Gregson for Tuba

Post by jonesbrass »

TexTuba wrote: It really does not matter what key you play this, or any other solo for that matter, on. Chops are chops...if you got 'em, you got 'em.
Agreed. I've done this one on CC and F. I prefer it on F, but YMMV.
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Steve Marcus
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Post by Steve Marcus »

Besides Journey by John Stevens, what concertos have been written specifically for contrabass tuba?
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JCalkin
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Post by JCalkin »

Steve Marcus wrote:Besides Journey by John Stevens, what concertos have been written specifically for contrabass tuba?
IIRC, Eugene Anderson wrote his Tuba Concerto with the Contrabass in mind.
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keegan watson
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what key

Post by keegan watson »

I am playing the Gregson right now on F and feel that this works very well. The fingerings lay well on the horn and the sound is good.
Just my $.02
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Post by tubacrow »

I think the choice of tuba, while range is an issue is some piece, is the choice of the player and their sense of sound. I have heard the Gregson and many other staples of our literature played on F, Eb, Bb, and C. I personally chose to play the Gregson on C. Reitan offers an interest question of why. I chose to do this because I like the sound and depth I was able to bring to the piece, but yes I had to remain aware of the size of the horn, and not let the sound get wide and distroted.

In Short: The choice of Key/size of horn is a personal thing that varies as much as we do as people.
Yamaha YFB 821 Bobo F
Cerveny/Sanders CC
York and Sons Monster EEb W slide
Cool Winds BBb (it might be a little melty, but still plays)
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