When you find you have to often play low E or lower in tune and can afford to buy a 4 or 5 valve tuba?KiltieTuba wrote:For that matter, when is a good time - and I can't be bothered to search for it - to switch or start on a 4 valve?
Tuning below Low E
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jamesmanganaro
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Re: Tuning below Low E
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Bob Kolada
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Re: Tuning below Low E
I'm somewhat extrapolating from a differently pitched three banger but with a good top pull on at least one of the valves, 123 combos are just fine. I like running three valve Eb's with an intune or just slightly flat third valve (for 23) and pulling 2 for 123 combos. On sousa I just slot it. Every sousa I've played has pretty wide slots.

KiltieTuba wrote:and I can't be bothered to search for it
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Re: Tuning below Low E
For the record, 98% of the 'professional' music written doesn't go below the low E. Nor does the contra bass and the bass guitar (except those with extra strings or a neck extending thingy).
Low E's can be quite frequently asked for. If you can play them in tune (with or without pulling a slide) you're safe.
Most tubas, even if they do play well with privileged fingering, will not give a sound and resonance which will do the job down low. If you need to be playing down low, or really want to, than its time to buy.
-Pat
Low E's can be quite frequently asked for. If you can play them in tune (with or without pulling a slide) you're safe.
Most tubas, even if they do play well with privileged fingering, will not give a sound and resonance which will do the job down low. If you need to be playing down low, or really want to, than its time to buy.
-Pat
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Re: Tuning below Low E
Sorry for the mis-spelling in this as I am writing from my BB and can't see what I am writing.
]Since your asking the question then I would say that your ready for at least a 4 valve tuba. Playing low EEE and even the low FFF is very difficult as they run very sharp on most horns even with a good 1st valve slide pull. With the 4 valve tuba you will be much closer to getting those nots in tune as well as playing your low CC and BB nat more in tune. 1and 3 and 123 valve combonation never realyy cut it well enough.
Having a 4th valve will take you nicely down to a low DDDb and pretty close without much of a fight. Also the 4th valve will give you a nice CC and a pretty close BB nat.
Having a 5th valve will give you everying down to peddle BBB to include a nice CCC and BBB nat.
Again, it seems as though since your asking I think its time to move on if it is possible to more valves.
If buying something else is not in the budget, getting the false tones below low EEE is possible but they don't slot well nor do they sound as good. With work and practice you can do it but it will take time.
The new old Cerveny 601 Kaiser I recently purchased will be getting a 5th valve very shortly so I don't have do pull multiple slide when play in the peddles.
Playing in that range takes not only a lot of practice but good ears as well, the lower you go the more you have to develope your ears. Most of us can't hear below the low AAA on the piano but I have found it possible to hear low FFFF as long as someone is playing the octave above. Even then I am feeling more for vibration than actual tuning until it gets there.
Good luck,
Tom
]Since your asking the question then I would say that your ready for at least a 4 valve tuba. Playing low EEE and even the low FFF is very difficult as they run very sharp on most horns even with a good 1st valve slide pull. With the 4 valve tuba you will be much closer to getting those nots in tune as well as playing your low CC and BB nat more in tune. 1and 3 and 123 valve combonation never realyy cut it well enough.
Having a 4th valve will take you nicely down to a low DDDb and pretty close without much of a fight. Also the 4th valve will give you a nice CC and a pretty close BB nat.
Having a 5th valve will give you everying down to peddle BBB to include a nice CCC and BBB nat.
Again, it seems as though since your asking I think its time to move on if it is possible to more valves.
If buying something else is not in the budget, getting the false tones below low EEE is possible but they don't slot well nor do they sound as good. With work and practice you can do it but it will take time.
The new old Cerveny 601 Kaiser I recently purchased will be getting a 5th valve very shortly so I don't have do pull multiple slide when play in the peddles.
Playing in that range takes not only a lot of practice but good ears as well, the lower you go the more you have to develope your ears. Most of us can't hear below the low AAA on the piano but I have found it possible to hear low FFFF as long as someone is playing the octave above. Even then I am feeling more for vibration than actual tuning until it gets there.
Good luck,
Tom
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Re: Tuning below Low E
BBb Bass parts in brass band music call for range down to the BBb pedal and below that chromatically from the mid-range. They do include (concert pitch) BBB natural and CC as well as the open BBBb (on a BBb horn, of course) and, on occasion, even lower (actually written in some test pieces and other repertoire, not just ad lib octave doubling of existing higher parts).
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Re: Tuning below Low E
http://www.youtube.com/watch?v=BxuCeHUxoBYmctuba1 wrote:low FFFF
I am the great Cornholio! I need a T.N. thong over my bunghole.
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Re: Tuning below Low E
This is simply not true.mctuba1 wrote:Most of us can't hear below the low AAA on the piano
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Re: Tuning below Low E
I can't be bothered to depend on poorly slotted privilegeds.KiltieTuba wrote:....and I can't be bothered to search for it - to switch or start on a 4 valve?
Play a lot of music chromatically down to BBb natural (and below)
and want to keep that same rich sound also there
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Re: Tuning below Low E
Please clarify Elephant's last post by explaining:
Do bugles in corps read treble or bass clef? Are they transposing instruments as in British brass bands? For instance, if one were to play a concert GG on one of the old 2-valve GG contrabass bugles, would it be notated as the C (middle C) just below the treble staff? Likewise, on a BBb bugle, would its concert BBb (in concert notation, appearing below the 2nd ledger line of the bass clef) appear as C one ledger line below treble clef?
Do bugles in corps read treble or bass clef? Are they transposing instruments as in British brass bands? For instance, if one were to play a concert GG on one of the old 2-valve GG contrabass bugles, would it be notated as the C (middle C) just below the treble staff? Likewise, on a BBb bugle, would its concert BBb (in concert notation, appearing below the 2nd ledger line of the bass clef) appear as C one ledger line below treble clef?
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Mark
Re: Tuning below Low E
I can not think of a concert I have played that did not have a work that went below Eb. I played a concert yesterday with two works that went down to C.KiltieTuba wrote:I can't think of the last concert/wind band piece that I played with anything below Low Eb (Stars and Stripes Forever).
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Re: Tuning below Low E
The 3 test-pieces I've been involved in this year has all been down to C (five lines down) and lower.KiltieTuba wrote: Pedal C (five lines down)?
The Earth Wind & Fire arrangement I did last week was also C
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Mark
Re: Tuning below Low E
Yes that C, Gerard Schwarz - Above and Beyond and John Mackey - Kingfishers Catch Fire.KiltieTuba wrote:Pedal C (five lines down)?Mark wrote:I can not think of a concert I have played that did not have a work that went below Eb. I played a concert yesterday with two works that went down to C.KiltieTuba wrote:I can't think of the last concert/wind band piece that I played with anything below Low Eb (Stars and Stripes Forever).
What concert/wind band piece were those?
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Re: Tuning below Low E
I'm surprised that you're surprised! I don't have my parts anymore, but I've played several in the past year alone that go to pedal C.KiltieTuba wrote:Pedal C (five lines down)?
What concert/wind band piece were those?
Not to mention, sometimes the conductor asks to take it down an octave to give a desired effect. Playing the notes written on the page is only one component of performing a piece. And of course, sometimes it's just a tubist's liberty to take it down an octave, but that's another story altogether.
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Re: Tuning below Low E
The big old Martin BBb tubas (recording basses) would play a great low E on a three valved horn; I preferred to grab the 1st or 3rd slide and give it a good tug to avoid any lipping.