In general, are there any downsides to adding a water key to a horn? There's one spot on my horn where water always collects, and I have to do some spinning to get it out (on the "loop" behind the 1 water key I have now). It's not a huge problem, but I have to do it a few times daily and can be a real annoyance.
Any thoughts?
add water key?
- bort
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- Dan Schultz
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Do it.... but keep in mind that in remote situations, additional features such as waterkeys have been known to cause minor intonation problems. I have never experienced a problem with an added waterkey but I've heard of situations where one has had to be moved. I like the Amodo type waterkeys for ease of installation... just one solder spot and a very small hole in the crook.
Dan Schultz
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
"The Village Tinker"
http://www.thevillagetinker.com" target="_blank
Current 'stable'... Rudolf Meinl 5/4, Marzan (by Willson) euph, King 2341, Alphorn, and other strange stuff.
- windshieldbug
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I actually plugged up the main water key all the way to the tube on the Marzan that I used in the orchestra, and got a noticable (I thought) improvement/change in intonation. The key was squarely in the middle of a sharp right-angle bend. I didn't mind always yanking the main slide and dumping the water that way because of the improvement I thought I had in the horn (and besides, I was in the back). French horn players do the same, and not many will add water keys just to make that part easier.
I think that when people designed older horns, they used a "trial and error" (mostly trying) method to find the least tonal impact on the horn. For newer horns, I think they know better what they're doing, but with all the notes, it is probably hard to find a spot that will have NO impact.
Unless you know where the tone waves set up inside the tube for evey note, your just drilling and soldering a hole will be hit or miss, and the effects will be hard to judge until you try it. At that point, if it doesn't work out, it's a pain to go back.
The Amado water keys, in my opinion, don't make much of a hole, and are the least painless, making the least inpact on the existing tubing. I think they can make a huge difference on trumpets/cornets/flugelhorns where the wave points are much closer together.
I think that when people designed older horns, they used a "trial and error" (mostly trying) method to find the least tonal impact on the horn. For newer horns, I think they know better what they're doing, but with all the notes, it is probably hard to find a spot that will have NO impact.
Unless you know where the tone waves set up inside the tube for evey note, your just drilling and soldering a hole will be hit or miss, and the effects will be hard to judge until you try it. At that point, if it doesn't work out, it's a pain to go back.
The Amado water keys, in my opinion, don't make much of a hole, and are the least painless, making the least inpact on the existing tubing. I think they can make a huge difference on trumpets/cornets/flugelhorns where the wave points are much closer together.
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
- Chuck(G)
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Speaking of Amado water keys, has anyone tried an instrument equipped with one of these?

http://www.deniswedgwood.com/saturn.htm
Pretty danged pricey, but it looks pretty cool.

http://www.deniswedgwood.com/saturn.htm
Pretty danged pricey, but it looks pretty cool.
- windshieldbug
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