Leaving out the doiuble-stops, etc. and tinkering around with the cadenzas, you might make it playable, and actually pull a performance off.
Personally, I think this is one that is probably best left on a 'cello, but who knows?
The first time I ever heard this work performed live, it was played by Rostropovich and the experience was spellbinding.
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Rokoko Variations?
- Chuck(G)
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