Adjusting overall ensemble pitch?

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How do you adjust to variations in emsemble pitch center?

Poll ended at Sun Jan 27, 2008 11:42 am

Do you adjust to someone else in the emsemble?
3
8%
Do you expect the ensemble to come to you?
6
16%
Do you do a little of both?
29
76%
 
Total votes: 38

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brianggilbert
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Re: section tuning

Post by brianggilbert »

windshieldbug wrote:
tuben wrote:On that note, it boggles me as to why ensembles try to ALWAYS tune to A-440, regardless of the air temperature. It's important to note that for every one degree of temperature change, pitch changes 2 cents
True, but can you imagine the oboe taking the temperature, consulting a chart, and THEN making the required adjustment!? :shock:

(we're lucky they put the reed in the right end, as it is! :P )
** or you could just simply shoot the oboe player **
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corbasse
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Re: section tuning

Post by corbasse »

tuben wrote: On that note, it boggles me as to why ensembles try to ALWAYS tune to A-440, regardless of the air temperature. It's important to note that for every one degree of temperature change, pitch changes 2 cents.

RC
Yeah, but winds go up when it gets warmer, and strings go down and the other way round when it gets colder, due to the fact that the string expansion/shrinkage is more than the change in the speed of sound. Keeping 440 as a midway point makes sense then.

I (unfortunately) vividly remember playing a concert a few years ago with baroque instruments in a big 15th century church, where they forgot to put on the heating well before the concert, in winter, when it was freezing outside.
I can't remember if I shuddered more because of the temperature or because the different groups in the orchestra were about a quarter tone apart. (Gut strings are much more perceptible to temperature changes than modern steel ones.)
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windshieldbug
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Re: section tuning

Post by windshieldbug »

corbasse wrote:Gut strings are much more perceptible to temperature changes than modern steel ones
... and therefore the pegs are MUCH harder to turn! :P
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