Marcato, I read somewhere, is used to designate an unexpectedly forceful attack sufficient to surprise the audience. However, the surprise effect is certainly lost for one or two measures of runs.Jared wrote:What the heck is it(^) called? . . . .
What is "^" called?
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Re: What is "^" called?
Dean E
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[S]tudy politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy . . . in order to give their children a right to study painting, poetry [and] music. . . . John Adams (1780)
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quinterbourne
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Your source is talking about string bowings, not wind instruments. As I noted, the notion and execution of accents are quite different with strings.Jared wrote:The marcato is a strong accent, somewhat forced, and usually struck hard. It is often used as a hard impact effect resulting in a loud attack.
For a very good treatise see:
http://www.dolmetsch.com/musictheory21.htm#accent
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And that's the problem--Jared's illustration seems to call a normal accent a marcato and a marcato a martellato. I don't think I've ever heard anyone call a normal accent a marcato before now.bloke wrote:In Jared's favor, I've noticed that (from strings to winds) interpretation and execution of markings is very inconsistent, but the names of the markings tend to be pretty consistent.
Although, Dr. Blood does state:
Martelé (Fr.); Martellato (It.); Marcato (It.) notes are played with accented force, literally “hammeredâ€

The marcato is a strong accent, somewhat forced, and usually struck hard. It is often used as a hard impact effect resulting in a loud attack.