What is "^" called?
- Rick F
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TubaRay
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What is...?
I always thought it was known as a thingamajig(or one of the alternate spellings thereof).
Ray Grim
The TubaMeisters
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- Chuck(G)
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Circumflex.
...when used as a marcato, the meaning depends on the instrument. Bowed strings use marcato to mean that each note is played using a new stroke, rather than just continuing a stroke. Each note occupies its full time value.
...on wind instruments, a note that is customarily 2/3 of its notated duration and is started with with an accented attack.
Also, a brand of pasta machine:
http://www.marcato-omc.com/

...when used as a marcato, the meaning depends on the instrument. Bowed strings use marcato to mean that each note is played using a new stroke, rather than just continuing a stroke. Each note occupies its full time value.
...on wind instruments, a note that is customarily 2/3 of its notated duration and is started with with an accented attack.
Also, a brand of pasta machine:
http://www.marcato-omc.com/

- iiipopes
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Does that go with a kitchen mandolin? Yes, cooking and music have a lot in common. And not just personally, in spite of the fact I am the musician and the cook in my family's household!Chuck(G) wrote:Circumflex.
...when used as a marcato, the meaning depends on the instrument. Bowed strings use marcato to mean that each note is played using a new stroke, rather than just continuing a stroke. Each note occupies its full time value.
...on wind instruments, a note that is customarily 2/3 of its notated duration and is started with with an accented attack.
Also, a brand of pasta machine:
http://www.marcato-omc.com/
Jupiter JTU1110
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"Real" Conn 36K
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Re: What is "^" called?
Marcato, I read somewhere, is used to designate an unexpectedly forceful attack sufficient to surprise the audience. However, the surprise effect is certainly lost for one or two measures of runs.Jared wrote:What the heck is it(^) called? . . . .
Dean E
[S]tudy politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy . . . in order to give their children a right to study painting, poetry [and] music. . . . John Adams (1780)
[S]tudy politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy . . . in order to give their children a right to study painting, poetry [and] music. . . . John Adams (1780)
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quinterbourne
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- Chuck(G)
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Your source is talking about string bowings, not wind instruments. As I noted, the notion and execution of accents are quite different with strings.Jared wrote:The marcato is a strong accent, somewhat forced, and usually struck hard. It is often used as a hard impact effect resulting in a loud attack.
For a very good treatise see:
http://www.dolmetsch.com/musictheory21.htm#accent
- Chuck(G)
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And that's the problem--Jared's illustration seems to call a normal accent a marcato and a marcato a martellato. I don't think I've ever heard anyone call a normal accent a marcato before now.bloke wrote:In Jared's favor, I've noticed that (from strings to winds) interpretation and execution of markings is very inconsistent, but the names of the markings tend to be pretty consistent.
Although, Dr. Blood does state:
Martelé (Fr.); Martellato (It.); Marcato (It.) notes are played with accented force, literally “hammeredâ€
The marcato is a strong accent, somewhat forced, and usually struck hard. It is often used as a hard impact effect resulting in a loud attack.