Has anyone played one of these tubas?

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poomshanka
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Post by poomshanka »

harold wrote:I would certainly like to see how the actual rotors look when removed from the casing.
Hmmm... Do you think they'd be any different from a regular rotary valve? It kinda looks to me like they just rotated the casing 45 degrees to accommodate a more direct entry angle for the pipes. Then again, I don't build horns for a living, so perhaps others might be seeing something here that I'm missing.

To my original post, still wondering how it plays...

...Dave
Last edited by poomshanka on Thu Apr 14, 2005 2:42 am, edited 1 time in total.
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Chuck(G)
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Post by Chuck(G) »

harold wrote:I disagree.

I don't think that any of the angles make any difference on virtually any horn.

This is the same argument used by people that reverse the direction of their valves or remove the spit valves because it allegedly decreases the wind resistance through the instrument.
I don't think the issue is so much dynamic flow resistance as it is with unnecessary bends detracting from the resonance of the horn; i.e., the concern is one of acoustics more than fluid dynamics.

A large organ pipe that had been mitered to fit into a smaller space doesn't speak as well as one that has been left straight. I'd speculate that the fewer contortions a souind wave has to go through could only improve resonance.
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gwwilk
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Post by gwwilk »

Chuck(G) wrote: I don't think the issue is so much dynamic flow resistance as it is with unnecessary bends detracting from the resonance of the horn; i.e., the concern is one of acoustics more than fluid dynamics.

A large organ pipe that had been mitered to fit into a smaller space doesn't speak as well as one that has been left straight. I'd speculate that the fewer contortions a souind wave has to go through could only improve resonance.
I think you've nailed it down pretty well, Chuck. The resonance of the column of air as it interacts with the pathway that contains it is probably far more important than any airflow considerations.

I just wish someone could tell us how these instruments play!
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Rick Denney
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Post by Rick Denney »

poomshanka wrote:It kinda looks to me like they just rotated the casing 45 degrees to accommodate a more direct entry angle for the pipes.
No, the valves are oriented the same as a regular rotary instrument. Look at a rotary tuba and you'll see that the openings in the casing are the same. The difference is that this tube has no curve in the tubing knuckle attached to the side of the casing.

Rick "recalling old rotary tubas whose leadpipes and exiting bugle left the first and fourth valves at 45-degree angles" Denney
poomshanka
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Post by poomshanka »

Rick Denney wrote:No, the valves are oriented the same as a regular rotary instrument. Look at a rotary tuba and you'll see that the openings in the casing are the same. The difference is that this tube has no curve in the tubing knuckle attached to the side of the casing.
Oops, I have one leg out on my chair, and was actually looking at it *at* a 45 degree angle. My bad. See, I got so wrapped up thinking about the sound, I lost track of the appearance.

:wink:

I *will* solve this mystery in my lifetime, and deliver a full report to the forum.

...Dave
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Billy M.
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Post by Billy M. »

poomshanka wrote: <snip> See, I got so wrapped up thinking about the sound, I lost track of the appearance.

:wink:

I *will* solve this mystery in my lifetime, and deliver a full report to the forum.

...Dave
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Kevin Hendrick
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Post by Kevin Hendrick »

sbring wrote:I've tried to picture the difference in "angularity" between an ordinary tuba and the one on Daniel Kunst's site. Hopefully there are two pictures below, in both cases attempting to illustrate the airstream with no valves or all valves open, respectively.
Your pictures show the difference very well -- thanks, Sven! 8)
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Post by UDELBR »

sbring wrote:
And now for the grand finale:

price: € 19200 ($ 24880 today)
But it has only 72% of a Thein's "specialness" . :lol:
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Post by Allen »

Chuck(G) wrote: ...A large organ pipe that had been mitered to fit into a smaller space doesn't speak as well as one that has been left straight. I'd speculate that the fewer contortions a souind wave has to go through could only improve resonance.
Regarding organ pipe mitering, that is true for only one class: open flue pipes; they are essentially whistles. They are half-wave resonators. Mitering brings open end to less than half a wavelength from the mouth of the whistle, and the resonance does not work as well. [The acoustic circuit exists both inside and outside the pipe.]

Organ pipes that are only open at one end (such as stopped flue pipes and reed pipes) are a closer analog to tubas. These pipes are not bothered by mitering, as the essential resonance is inside the pipe (plus some effect near the opening [or bell]).

We should keep in mind that all musical instruments have many quirks of resonance; those quirks are what give each instrument its characteristic tone, its color. I can just imagine an engineer getting hold of an oboe, and "refining" it to produce a pure sine wave!

Anyway, that tuba looks visually interesting.

Allen Walker
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Re: Has anyone played one of these tubas?

Post by Chriss2760 »

I think we're missing the point. This horn isn't about bends, this horn is about styleand it has it in spades! Is there a U.S. distributor? I'm interested! :D [/i]
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Chuck(G)
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Post by Chuck(G) »

Nihil sub sole novum, eh Joe?
:)
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