Chuck(G) wrote:
...A large organ pipe that had been mitered to fit into a smaller space doesn't speak as well as one that has been left straight. I'd speculate that the fewer contortions a souind wave has to go through could only improve resonance.
Regarding organ pipe mitering, that is true for only one class: open flue pipes; they are essentially whistles. They are half-wave resonators. Mitering brings open end to less than half a wavelength from the mouth of the whistle, and the resonance does not work as well. [The acoustic circuit exists both inside and outside the pipe.]
Organ pipes that are only open at one end (such as stopped flue pipes and reed pipes) are a closer analog to tubas. These pipes are not bothered by mitering, as the essential resonance is inside the pipe (plus some effect near the opening [or bell]).
We should keep in mind that all musical instruments have many quirks of resonance; those quirks are what give each instrument its characteristic tone, its color. I can just imagine an engineer getting hold of an oboe, and "refining" it to produce a pure sine wave!
Anyway, that tuba looks visually interesting.
Allen Walker