Buying a Tuba
- LoyalTubist
- 6 valves

- Posts: 2648
- Joined: Sun Jan 29, 2006 8:49 pm
- Location: Arcadia, CA
- Contact:
$10,000 is a lot of money, even for a professional instrument. Don't buy something just because it's expensive. If you can, try to play the instrument before you buy it. And usually, there is no reason to pay retail price for a tuba. I won't tell you all the ins and outs of tuba buying, because I have only bought used instruments. It sounds like you want something brand new.
________________________________________________________
You only have one chance to make a first impression. Don't blow it.
You only have one chance to make a first impression. Don't blow it.
- windshieldbug
- Once got the "hand" as a cue

- Posts: 11516
- Joined: Tue Mar 01, 2005 4:41 pm
- Location: 8vb
The shops under Shops at the top of the page are a good place to start, new OR used...
Instead of talking to your plants, if you yelled at them would they still grow, but only to be troubled and insecure?
-
smurphius
- 3 valves

- Posts: 362
- Joined: Thu Mar 18, 2004 10:36 pm
The most common CC tubas I seem to hear the most about (and like the best) would be the Meinl Weston 2145, the Perantucci 20P, the Miraphone 1291-5VC, and the Yamaha YCB822.
Personally I play on the MW 2145 and love it. Deep, dark, rich tone. Valves could be a litter better than I'd hope for, but definately manageable.
Check out Baltimore Brass Company. Dave Fedderly is a great guy!
Personally I play on the MW 2145 and love it. Deep, dark, rich tone. Valves could be a litter better than I'd hope for, but definately manageable.
Check out Baltimore Brass Company. Dave Fedderly is a great guy!
-
Water Music
- bugler

- Posts: 205
- Joined: Tue Nov 08, 2005 1:31 am
- Location: SE Pennsylvania
- MartyNeilan
- 6 valves

- Posts: 4876
- Joined: Fri Mar 19, 2004 3:06 am
- Location: Practicing counting rests.
The horn just needed new felts/corks on the pistons, these things wear out on any horn. Just like the bumpers on rotors. Synthetic ones will last longer, you used to be able to get Besson ones that would work on these horns.joshstanman wrote:I tried the 2145, and didn't like it very much at all. The pistons on this horn killed me. They were around 2 years old and sounded like you were dropping a slide every time you pushed one.
Adjunct Instructor, Trevecca Nazarene University
- actuba
- lurker

- Posts: 12
- Joined: Fri Feb 17, 2006 9:18 am
- Location: Alexander City, AL
The very first horn I bought was the culmination of a tour-de-force of tuba testing. I drove to three or four of the "big" dealers after having an idea what they had in stock.
Look into doing a "horn" tour. It would cost a bit in gas, but you my find a gem you wouldn't even see having them sent to you. Mine started at Midwest in Chicago and ended in South Bend, at Brasswind where I found a B-stock MW2165. (I'm ashamed to admit there was no website then)
Best of luck...this is an exciting rite of passage for a tubist!
Dale Bloodworth
Band Director, Tubist, Low Brass Nut
Alexander City, AL
Conn 56J
Besson 700 Series Euph
Bach 50B03L[/code]
Look into doing a "horn" tour. It would cost a bit in gas, but you my find a gem you wouldn't even see having them sent to you. Mine started at Midwest in Chicago and ended in South Bend, at Brasswind where I found a B-stock MW2165. (I'm ashamed to admit there was no website then)
Best of luck...this is an exciting rite of passage for a tubist!
Dale Bloodworth
Band Director, Tubist, Low Brass Nut
Alexander City, AL
Conn 56J
Besson 700 Series Euph
Bach 50B03L[/code]
- adam0408
- 3 valves

- Posts: 393
- Joined: Tue Mar 01, 2005 4:58 am
- Location: In the back row, playing wrong notes.
- LoyalTubist
- 6 valves

- Posts: 2648
- Joined: Sun Jan 29, 2006 8:49 pm
- Location: Arcadia, CA
- Contact:
-
tubeast
- 4 valves

- Posts: 819
- Joined: Thu Feb 17, 2005 3:59 pm
- Location: Buers, Austria
In my case I just made sure I took the time and didn´t rush myself.
Apparently you still have access to school horns. It sure is a great idea to pass those on to freshmen in need as you advance, and to have a horn you´ll have grown attached to by the time you do your final recital and first auditions.
I´d recommend taking your time, looking into GREAT used horns, and jump at the one that chooses you.
That approach worked well for me, although it took me two years to do it.
I had the advantage, of course, that I´m an amateur, so when I learned that a pro was parting with a horn he´d been using for years, I figured if it was good for him, it´ll be GREAT for me.
Apparently you still have access to school horns. It sure is a great idea to pass those on to freshmen in need as you advance, and to have a horn you´ll have grown attached to by the time you do your final recital and first auditions.
I´d recommend taking your time, looking into GREAT used horns, and jump at the one that chooses you.
That approach worked well for me, although it took me two years to do it.
I had the advantage, of course, that I´m an amateur, so when I learned that a pro was parting with a horn he´d been using for years, I figured if it was good for him, it´ll be GREAT for me.
Hans
Melton 46 S
1903 or earlier GLIER Helicon, customized Hermuth MP
2009 WILLSON 6400 RZ5, customized GEWA 52 + Wessex "Chief"
MW HoJo 2011 FA, Wessex "Chief"
Melton 46 S
1903 or earlier GLIER Helicon, customized Hermuth MP
2009 WILLSON 6400 RZ5, customized GEWA 52 + Wessex "Chief"
MW HoJo 2011 FA, Wessex "Chief"
