Solo counterpart to PT-50+?
- Kevin Hendrick
- 6 valves

- Posts: 3156
- Joined: Sat Sep 25, 2004 10:51 pm
- Location: Location: Location
There are a couple that I'm aware of. The Laskey 30F is a shallower Helleberg-style 'piece, as is the Marcinkiewicz H4; the Laskey has a slightly smaller cup ID than the PT-50 (and smaller throat diameter), whereas the Marc has a larger cup ID (and about the same throat diameter).
"Don't take life so serious, son. It ain't nohow permanent." -- Pogo (via Walt Kelly)
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Water Music
- bugler

- Posts: 205
- Joined: Tue Nov 08, 2005 1:31 am
- Location: SE Pennsylvania
I find my PT-36 works very well in the upper register and the lower register. The upper range seems a lot better than my 50 gave me, because of the lighter tone from the 36. I use my 50 for orchestras now, and the 36 for everything else. It may not have a different cup depth, but the rim is more narrow than the 50's, giving better flexibility with the mp. Works like a charm for me, just my 2 cents.
Temple University 2011
Music Ed/Tuba Performance
"GO OWLS"
MW 2145 CC - LM-5
Salvationist 'Triumphonic' EEb - JK Exclusive 6E
Music Ed/Tuba Performance
"GO OWLS"
MW 2145 CC - LM-5
Salvationist 'Triumphonic' EEb - JK Exclusive 6E
-
tubeast
- 4 valves

- Posts: 819
- Joined: Thu Feb 17, 2005 3:59 pm
- Location: Buers, Austria
Why don´t you just choose any convenient mouthpiece more suitable for soloing and set aside any thoughts about different rims ?
As long as you get used to switching back and forth some times during a practice session you should be fine.
As long as you get used to switching back and forth some times during a practice session you should be fine.
Hans
Melton 46 S
1903 or earlier GLIER Helicon, customized Hermuth MP
2009 WILLSON 6400 RZ5, customized GEWA 52 + Wessex "Chief"
MW HoJo 2011 FA, Wessex "Chief"
Melton 46 S
1903 or earlier GLIER Helicon, customized Hermuth MP
2009 WILLSON 6400 RZ5, customized GEWA 52 + Wessex "Chief"
MW HoJo 2011 FA, Wessex "Chief"
- porkchopsisgood
- pro musician

- Posts: 243
- Joined: Fri Mar 19, 2004 1:55 am
Hey...
I used the same setup, but now that I've graduated they get to keep the Miraphone.
I've played on the PT-50 for over a decade and the PT-50+ for about two years now. Keep working on the range with that mouthpiece and you will not be sorry. It gives a truly rich core to the upper register.
Good luck!
I used the same setup, but now that I've graduated they get to keep the Miraphone.
I've played on the PT-50 for over a decade and the PT-50+ for about two years now. Keep working on the range with that mouthpiece and you will not be sorry. It gives a truly rich core to the upper register.
Good luck!
Allen V. Carter
Eastman 836
MW 2145
MW 45SLZ
XO Bass Bone
Eastman 836
MW 2145
MW 45SLZ
XO Bass Bone
-
Ace
- 5 valves

- Posts: 1395
- Joined: Fri Mar 19, 2004 12:46 am
- Location: Berkeley, CA
I've used a PT-50 for several years on my CC tubas, and find that it is a pretty good mouthpiece for high notes as well as mid and low range notes. The piece took me up to F above the staff fairly comfortably, and the tone up there was good. Beyond that F, however, things got difficult for me. Some Berlioz pieces require really high range-----for those I switched to a Wick 3L on the CC tuba.