Can anyone authoritatively speek to any differences between the present American orchestral brass sound and that of the German? I know in decades' past the Germans generally played with a brighter, more spread tone esp. in louder dynamics, as well as "pear-shaped" articulations(i.e. a swell at the beginning of a note). Some noted players have acknowledged a more "international" approach as of the past couple of decades.
What should an American tubist know about how to play differently at a German orchestral audition, if differently at all?
German Brass Sound
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