
Perhaps I should just get someone to copy the Marzan. Thanks in advance for any input.
Craig
Craig@sonicabsurdities.com
www.sonicabsurdities.com
Joe's suggestion to lightly sand the face of the plastic mouthpieces is a valid point. I've been alternating a Kellyburg, a Kelly Bach 18 copy, a Conn-Helleberg 7B, and a Conn-Helleberg on my GDR stencil 4V rotary. The metal mouthpieces seem to project better but one thing's for certain.... the plastic ones are really slippery! I've also tried the Kelly Bach 25 copy but it does not work well (for me) with my larger BBb horns. The plastic MP's are a great way to try different styles 'on the cheap' and for cold/hot weather playing but I still prefer the metal MP's. On the other hand... it may just be a matter of 'adjusting my chops'. The rim-sanding might help.bloke wrote: ...If you get one, you might want to look at the rim face in the light and go over it very carefully with some 1500 grit sandpaper...
Amazing. the one I tried stuck to my face like nobody's business. I guess faces are different.The metal mouthpieces seem to project better but one thing's for certain.... the plastic ones are really slippery!
I've been using a Kellyberg exclusively since some time around April. I've noticed better low range and a more open sound than with other Helleberg type mouthpieces (such as a Shilke 66). I think it's because it's actually just a bit larger. As Bloke points out, it feels narrow and very comfortable. I have no problem with volume.bloke wrote: The Kellyberg, because the material, will probably "feel" narrower than it is because it is so comfortable. It is a good Helleberg - not my personal favorite...but who am I?...
I think that's true. I'm only speaking for myself, but I don't necessarily consider it to be a bad thing. It probably takes more getting used to than anything else about them.JohnH wrote: ...the Kellyburg doesn't feed back vibrations from the horn like the metal does. In fact I never realized how much vibration I was getting back from the horn until I tried the Kellyburg.
I'll try that.bloke wrote:.I've just noticed that with the Kellybergs their are consistent "wave" marks in the embouchure face of the mouthpiece - around 12 o'clock and 6 o'clock...possibly formed when they leave the moldor when their cooling off
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If you tilt your mouthpiece up into the light (particularly the colored/translucent ones) you can see them.
That's an indication of how the plastic has flowed into the mold. The gold flakes, as much as they try, aren't going to be evenly distributed, and those patterns are the result.Daryl Fletcher wrote:What I have noticed is that there are a couple of small lines in the coloring of the Harvest Gold mouthpiece that I don't see in my other two.